Aerial of Waewaetorea Passage, Bay of Islands
The Duke of Marlborough
Sage Restaurant

Denizen’s Editor-in-chief shares her guide to the most beautiful locales in the Bay of Islands

After 10 consistent years as a part-time Russell dweller, this area of the Bay of Islands has become my spiritual home. I got married here, I brought both of my newborn children here, and we continue to celebrate birthdays, long weekends and life in general in this magical place. In recent years, as my children have grown old enough to understand, I’ve also enjoyed introducing them to the rich Māori culture and history of the area. The historical trials and tribulations of the area are an important part of New Zealand’s history, so it’s a definite bonus to take the time to understand and learn more about the place we love to call our second home.

Eagles Nest

Where to stay
It would be remiss for me not to encourage you to stay at any one of Eagles Nest’s spectacular properties. There is something for everyone on offer here — from the globally revered Rahimoana, with its 360-degree views of the Bay of Islands from Waitangi to Flagstaff. Or the divine First Light cottage that offers the ultimate romantic escape for couples. Much like a hotel, villas are serviced daily, and with fantastic breakfast provisioning on offer. You can either head out to one of the many local eateries for lunch or dinner, or call upon one of the on-call chefs to take the hassle away for you.

Left: Terra Restaurant. Right: Hone’s Garden.

Where to eat
Russell has come a long way in 10 years, but The Duke of Marlborough still proudly upholds its front row position as New Zealand’s first pub. It’s also one of the places we visit most regularly, along with another equally historic eatery in Russell, The Gables. Both offer great food and drinks and the opportunity to sit on the waterfront and take in the picturesque Bay. Hone’s Garden serves some of the tastiest authentic pizzas in the north and is ideal for families or large groups.

A bit further afield (but definitely worth the drive) is Paroa Bay Winery and its restaurant, Sage. Set back from the Bay, and high on the hill overlooking vineyards, it’s an idyllic spot for a delicious long lunch, and has become one of our favourite places to take guests who want to experience life beyond the confines of Russell. On a more laid back scale is Omata Estate Vineyard & Kitchen, which not only makes one of the best creamy chardonnays in the country (in my opinion), but also has a fantastic platter and pizza offering that can be enjoyed on the lawn paired with its delicious wines.

A short and quaint passenger ferry ride across the harbour to Paihia, you’ll find another perennial favourite Charlotte’s Kitchen, which offers a selection of great dishes from pizza to oysters and locally caught seafood. A new and exciting entrant is Terra. Having opened in 2020 with bold plans to bring an upmarket fine dining experience to the Bay, the menu does not disappoint with some incredible dishes that celebrate the food of the region.

Russell is also home to three reliable and decent coffee spots, Hell Hole (where you can also snag a good bagel with a variety of toppings), Oso, a new entrant in recent years that sees long queues in the summer months, and the Coffee Cart on Long Beach, which is the perfect pitstop after a morning beach stroll.

The Bay of Islands Trading Company

Where to shop
In recent years, Russell has become a more cosmopolitan holiday destination, attracting the type of people that not only like a decent flat white, but are also partial to a bit of retail spending that’s not restricted to craft markets and souvenir shops. Caravan opened two years ago, selling the sort of resort wear someone like myself would be interested in. And to complement it, The Bay of Islands Trading Company located just around the corner offers a fantastic mix of art, sculpture, and fashion with a semi nautical vibe, referencing the locals’ love of the ocean.

Urupukapuka Island

Where to walk
There are so many wonderful walks in the wider Bay of Islands region. Take a scenic day trip to Urupukapuka Island (via the ferry from Paihia) where you can swim in the lagoon, spot dolphins near the beach and walk any one of the island’s numerous tracks. My family’s favourites are closer to home. The walk from Flagstaff into Russell via Titore Way, where a track winds down through the bush, serves stunning vignettes of the bay along the way. A good local tip is to walk the track at nightfall, at the lower streams you’ll spot glow worms — an experience that my children love.

There are also two great walks on the Fladgate family’s properties, one which takes you to Waihihi Bay with a small swimming beach sheltered by pōhutukawa trees, and the other, known as Jim’s Walkway, winds through bush and native wetlands with plenty of birdlife, and pops out at Tapeka Point Beach, which has two good swimming beaches to enjoy depending on the wind direction. 

Birdlife
Waiheke might try to stake its claim as having more than its fair share of birdlife, but Russell takes the gold medal, in my opinion. Not only is the area rife with kiwis (which loudly scream their presence on any given night), we also have daily sightings of weka, tūī, pheasants, kingfishers, fantails, swallows, quails, albatross, parrots, doves, and many more I haven’t yet identified.

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The sound of summer: Jordan Luck poetically tells of his song-writing and stage performance process as we prepare to sing along

When it comes to determining New Zealand’s most culturally significant artists with the widest appeal, it would be hard not to consider Jordan Luck. Whether it’s a rugby game at Eden Park, or the local pub in Te Awamutu, Jordan Luck and his band have been belting out, with the greatest enthusiasm, songs that we all know every single word to. In times when the country can feel divided, Luck’s songs and gregarious stage performances are the sort of binding salve that we need to feel connected. We speak to the musician to learn a little more of his process and life story to date.

I was born in Fort St. James in British Columbia. When I was young, I very much enjoyed watching ice hockey. We had hot dogs. I relished mustard. I also enjoyed walking on ice and picking up a handful of crunchy snow. Watching moose follow their trails from previous years. A favourite memory is of getting my tongue stuck to an outdoor tap. Freezing cold. You could spit and make marbles. 

As a father I only hope I can be as worthy as my father was. Is. Over the years, I am amazed how many folk have approached me and informed me, “Your father was the best teacher evah! Best evah!” He had stories of the Sasquatch that seem to have had his classes riveted.

A common misconception about being a musician is that you are one. A dear friend on a Brisbane bus was sat beside a young lady. “What wonderful fingernails you have,” she commented. “You must be a classical guitarist,” she stated. “No sweetheart, I’m a poofter,” he merrily responded.

I’m so grateful to Joe Walsh. During these Covidicular times he has kept everything together. Joe is our Guitarist and Manager. Various shows are on their fourth rescheduling. We love you Masterton.

The rules are dependent upon who set them.

My performance process is genuinely unprocessed. At a jig in Paihia I was asleep in the hotel. I wakened. Five minutes to start the intro tape. Three minute walk to Zane Grey’s. “Heya Lads,” I calmly unqualm. “You were asleep!” sez Joe smilingly. “Yup,” sez I. Gem night. Unforgettable.

My songwriting process is curious. I often thought of left, right and centre. Having recently watched Law & Order: Organized Crime, I have learned that I perhaps write in an Oloid fashion. In 2029, I prognosticate a wee Oloid year.

Having songs that I have written that resonate so strongly with New Zealanders is encouraging, and hopefully enthuses other songwriters to resonate as other New Zealanders/Aotearoans have me.

My best on stage moment was at Gapes Valley Hall. I am in our school band Basement. During our third set I see these tables being set up. One hundred or so orders of unheralded fish and chips are being placed to the band’s and the audience’s magical full loving surprise. Glorious. “This musical lark may have some merit,” I mentioned to myself. I have another best stage moment. Shared. Those little mini-pie thingy-thangs are being handed around at a jig at Lake Hawea. I am listening to Beaver (the drummer) keeping this rock steady snare beat. Anticipating a roll, I turn around to see our man a-merrily mini-pie munching with one hand, stick in the other. Savouries. That’s what they are named. Apologies. 

My worst moment has been described as more entertaining than other events of the day.

I look back on my life and think that I have dwelt little upon it. It is more the way ahead that I tend to ponder.

The most memorable moment in my professional career was realising that the memorable moment would lead to further memorable moments.

The worst advice given was my own. “You see that tap?” “Yes” “Thirsty?” “Yes!”

I never set goals. I am still too young. Perhaps when I am 91, I shall find one. That is a fine goal. An own goal.

My favourite song to perform is the one I have not performed yet.

Happiness is music. Music can be every spectrum of emotion. Birdsong. Yes, birds will hit notes to compose song to. Take your Moby out into the bush, whack your guitar tuner application on; mine is actually GuitarTuna. A Tui will hit a G note, a Piwakawaka, an E. Bamm, done. But flip, birds can be evil. I love the Takahe. We did some jigs on Motutapu. The Takahe, while we try to save them, will undo their own. Nevertheless, a paddock full of Takahe is my happiness, I did not hear them sing, I just knew straight away they were the biggest looking Pukeko. Could they run? Flip, pretty much straight up a hill in a straight line. 

My family would describe me as a dependable, amiable, fullest full loving soul. And very modest. While my bandmates would no doubt say I am a handsome devil, not unlike themselves.

Performing on stage consistently for 40+ years has been remarkable. In 1992 at a jig in Hastings I was informed by a group of folk that were 10-12 years my junior of how much they loved the song ‘Victoria’. “Flip,” I thought. “I have been singing this song for ten or so years.” “Another ten?” “Indeed in deed. Another ten.”

Performing used to be in a room full of smoke and now it’s a wee bit easier to espy our sound and lighting technicians.

The personality traits that have contributed to my success are, I may presume, from being upbeat, jovial to a degree, optimistic. If you work with and love the folk you create with, those traits become stronger and are merrily attained. Maintained.

Aotearoans are very fine singers. We opened for Elemeno P on a tour in 2017/18. Flip, could that audience sing their songs. Not just choruses, verses and all. We presently play The Mockers, ‘Forever Tuesday Morning’. Killer. Krankin’! 

The biggest thing I’ve had to overcome in my career is the loss of fellow musicians. They may be gone physically, but they still are here with me though. 

At the end of the day love will sing a song.

A favourite line from one of my songs ‘Brodelia The Cat’ is, “with chasms of spasmodic charm you’ve got somewhere to go”. I enjoy it for its assonance, and its truth. If you mispronounce it, you’ll get alliteration too, ha.

I love this lyric from Nick Cave’s ‘The Curse Of Millhaven’. “Then Professor O’Rye from Millhaven High found nailed to his door, his prize-winning terrier. The next day the fool brought little Biko to school and we all had to watch as he buried her”. I enjoy this as in one couplet it near tells a Stephen King book and has an amusing rhyme to boot. 

One person I’d love to collaborate with is Kerei Ruru. If there is a project on, he would be my first call. Kerei served our nation in the military for many years overseas. He is brilliant at everything. He can fix juke boxes and is very modest.

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Rolls-Royce’s Cullinan Black Badge shoots for the stars, and successfully dazzles Denizen’s Editor-in-chief

Claire Sullivan-Kraus experiences the new incarnation of Rolls-Royce’s Cullinan Black Badge, and learns that extreme luxury can also be found on the dark side.

It’s hard to believe that two and a half years have passed since my family and I had the pleasure of experiencing life in the extremely luxurious lane, behind the wheel of Rolls-Royce’s first foray into the SUV realm with its aptly titled Cullinan — named after the world’s largest gem-quality rough diamond (a whopping 3106 carats). The experience of being ensconced within such opulent environs has remained firmly embedded in my children’s psyche, to the point that when we see Cullinans in the school drop off zone (and we do see a few), they declare with outright rage, “when are we getting our car back Mummy?”

Back then, I rather short-sightedly suggested to my young and impressionable offspring the old adage; ‘you get what you work for, not what you’re given.’ Fast forward to what has been almost two of the most harrowing years of my business career, in the eyes of the young, Mummy has been working harder than ever, but the fruits however, have not been juicy. 

So it was with immense glee that my offspring’s faces contorted into the proverbial Cheshire Cat when I arrived at our home in the 2021 Rolls-Royce Cullinan Black Badge. If turning heads is high on your agenda — and to be fair when you’re spending close to three-quarters of a million dollars on a vehicle, you definitely deserve a few nods of acknowledgement of your success — then this striking new incarnation of Rolls-Royce’s Cullinan is definitely for you.

Presented in a bright, metallic ‘Salamanca Blue’ with polished black badge 22 inch alloy wheels and — a first for the marque — a dark chromo Spirit of Ecstasy, you get the feeling that this new model has been designed around those with a penchant for exclusivity. While earlier models may have attracted buyers of Goldies or McCahons, this is a car for those whose art collection comes in the form of a digital wallet full of NFTs. It’s a suitably slick step-up for those who’ve achieved immense success and deservedly live their lives in the fast lane.

From the front, the new Cullinan does not shy away from the brand’s highly identifiable DNA. The large grille and LED headlights make no mistake of its genealogy, while the side profile and trademark carriage doors ensure the entrance to the ample and extremely opulent back seat is carried out with grace and ease. What’s more, once you’re enveloped in supple, soft leather, the convenient door button closure requires no exertion or unsightly hanging from the car to reach the door to close it. 

Rolls-Royce is the best in the business at conjuring up an atmosphere of exclusivity, and the interior of the Black Badge Cullinan is a testament to this. Not only does it coddle passengers in luxury, the elegant and utterly beautiful ‘Starlight Headliner’ is the gold leaf frosting on this moist, fluffy cake. 

The Black Badge model is the first in the Cullinan family that offers this technology. When fully illuminated, the roof recreates a beautiful night sky thanks to 1344 fibre optic lights. The effect is pure magic, only elevated further by the presence of… wait for it… a random shooting star effect that, like all shooting stars, is a rare sighting that was enough to have me pull the car over to find out what all the squealing was coming from my overly excited passengers. It really is a magical experience like no other, and should be reason alone to invest in this marvellous new vehicle. What’s more, I’ve since learned, that should one wish to, Rolls-Royce will tailor the lighting to match the night sky on a certain date. Magic.

Behind the wheel, the 2021 Rolls-Royce Cullinan Black Badge does an excellent job of pushing the SUV into a higher plane of performance without sacrificing the elegance, style and flair that has come to define the modern Rolls-Royce experience, especially when the newly tweaked V12 is allowed to sing at full song. The new exhaust system provides the sort of guttural growls one wants when taking the car from 0 to 100kms in less than 5 seconds. The wolf in vicuña clothing — as it rightly should — produces the sort of pops and crackles from the exhaust that demarcate the bold difference. This car may exude luxurious restraint, but when required will exert a level of ‘don’t f*** with me’ enthusiasm and presence. 

The verdict on the new 2021 Rolls-Royce Cullinan? This SUV is a hand-crafted rarity that is as much an automotive artwork as it is sublime, blissful transportation. And while that infamous magic carpet ride still exists (or as I have referred to it previously, the feeling of driving a marshmallow), so too does a down low sport mode that belies the muted restraint of its exterior. It’s hard not to be charmed by something that takes luxury so extremely seriously.

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Richard and Paula Sigley.

An ode to Euro: Richard and Paula Sigley reflect on the memorable highlights of their 20-year ownership

After the shocking news of Euro’s permanent closure in October as a result of the challenges caused by the pandemic, Auckland’s on-going CBD roadworks, severe staffing shortages due to locked borders and working visa issues, the couple behind one of the city’s most loved stalwart eateries share some of the memorable highlights of their 20-year ownership.

My first introduction to Euro was in late 1999. I’d returned for a short holiday in Auckland while residing full time in New York. Back then, the Auckland hospitality scene was tightly held by a few leaders in their field, many of whom — Chris Rupe at SPQR, Kelvin Gibson at Prego, Mark Wallbank, and Jeremy Turner at Cibo — are still operating today. 

To say that I was greatly affected by the cosmopolitan life I was leading in New York at that time, would be an understatement. Living across the street from such famed institutions as Keith McNally’s Pastis, and being an almost too regular patron at Balthazar, left me with what I can sagely look back on as delusions of grandeur. So, when presented with the proposition of Auckland’s shiny new hotspot of hedonism, Euro delivered in spades a renewed enthusiasm for a city I once viewed as being well below my lofty international standards.

First opening in 1999 in the lead up to the America’s Cup, Euro fast became the place to be. It attracted lawyers from Shortland Street, advertising executives from Parnell, and financial pundits behind what turned out to be some of the country’s dodgiest Ponzi schemes, all wielding expense accounts and gold cards with never-ending spending limits. Deals were made here over the longest lunches imaginable. Back then, long lunching was an art form; those with the greatest stamina and cunning, generally got the deal signed, sealed and delivered on the spot.

Richard Sigley was involved in Euro from its inception, initially in his capacity as general manager of on-premise operations at Dominion Breweries, who provided the funding for the first owner, before he took full ownership in 2000. 

Richard and his wife Paula, have become much loved friends of mine in the years since, and it was with immense sadness that I witnessed them make the very personal and heartbreaking decision to shut the doors to their iconic eatery after more than 20 years of consistent operation. 

Anyone who knows the Sigleys will immediately regale them as solid, great people; the ultimate duo, who care greatly for each other, and equally for their staff. Which is why it’s important to note here, that it was the ability to keep all of their staff employed — during an utterly devastating period for the hospitality industry — that forced them to close the doors on their first child, Euro, rather than to lose valuable employees that they consider part of the family. 

I caught up with my old friends recently to reminisce about the good times, and celebrate the resounding success that they had built together.

“Looking back, we really grew up at Euro,” says Paula. “It initially started with the crazy party days, then we had two children (now aged 11 and 14), and have come out the other side of it with a group of 13 eateries. We lived and breathed it, we actually lived in an apartment above the restaurant for a while, along with one of our maître d’s. We also had one bedroom set aside for the office lady to use too. We were on call 24/7 and we loved every minute of it.”

Paula and Richard met at Euro, friends at first, as most things start. They soon caught the attention of the rest of the staff with their flirtations. Richard wryly jokes that “it was pretty easy pickings when you’re a successful restaurateur, Paula really got the golden ticket.” But Paula likes to suggest that she was in fact more attracted to one of her fellow waiters, who turned out to be gay. A fact that Richard knew well, after being on the receiving end of a long and lingering buttock squeeze from behind. Assuming it was his new love interest, he turned around to learn it was instead Paula’s gay male ‘friend’.

Their courtship lasted for several years, before culminating in a memorable wedding celebration held at Euro, which signified just how big a part of their lives the establishment was.

We talk about the good old days of hospitality, and how Euro led the way with a new direction that was about more than just the food. Paula describes the early days as “pure hedonism, anything goes, with no limits. It really was one of the first big international propositions. I mean, it was the first restaurant in Auckland to spend $100,000 on the bathroom fitout!” I can vouch for the fact that this became a big trend for Auckland eateries thereafter; ‘but what are the bathrooms like?’ was the first question anyone asked about a new opening. 

“The design of Euro was truly international; a beautiful space that attracted those who wanted to be seen. There were no other precincts at the time, Parnell was our only competition, and we were, in theory, the first restaurant on the water,” says Richard, “we very quickly developed our own culture, which had a sort of wild brazenness about it. For the first time there were other factors at play than just a good menu.”

Aside from the glamorous environs, the Sigleys both agree that the staff were the ultimate attraction. “They created a sense of belonging for guests, people loved the recognition that the floor staff gave them. They would always remember your favourite drink and order you one as soon as you arrived. These were waiters who chose this path as a lifelong career, and it showed. They had all worked overseas and brought an international sensibility and an incredible sense of fun,” says Paula, before Richard adds,  “Euro definitely had the best staff in the country. People used to joke that Euro was a place where waiters came to die, because they made so much money (more than $1000 a week in tips alone) they never left us. Many of them worked for us for decades.”

Paula looks back fondly on the “absolute magic” that came during a busy service. “The hum and the rhythm of it, feeling tension from the kitchen, watching the floor staff bounce and smile through it all. Knowing the customers are blithely unaware that we are getting slammed. Everything is on a knife edge —  and then pulling through it — the camaraderie and high of the staff at the end of the night are some of my best memories ever.”

It’s not hard to imagine the balancing act required to run an eatery that seated 90 inside and another 30 out on its popular waterfront terrace. Richard stresses, “we would have easily had 500 people in that place on a busy day, people standing at the bar, outside on the terrace… that’s before the council got gnarly on it. But, we had an incredibly strong trade of people that enjoyed having a very good time. It was not unusual for a table of eight to spend upwards of $5000 in one sitting, with the midweek shifts being some of the biggest, and dare I say it, sometimes with the same people coming three days in a row.”

Paula says that her favourite regulars were those with great manners and who genuinely appreciated their staff, but also those who came knowing that they were there to have fun. There was no place for the stiff upper lip here. Understanding that at some point during your dining experience revelry would ensue around you, made it even more enticing. So enticing that the likes of Robbie Williams, when he was in town, was desperate to score a table for him and his entourage. Unfortunately for Williams, the restaurant was fully booked, revelry was already well underway without the requirement of his notorious (at the time) bad boy influence.

One of Richard’s favourite moments came on an evening he was walking down the waterfront and spied the chef, Gordon Ramsay. Richard, having had a drink or two, boldly approached him and asked him where he’d been. Ramsay said “that place in there.” (Pointing to Euro) “What did you think?” To which Ramsay quipped: “Bloody world class mate.” 

After the first round of lockdowns in 2020, the Sigleys alongside their celebrated Executive Chef, Gareth Stewart, set out to identify what the Euro of 2000 could be 20 years on. “We all put so much energy, grit and determination into rebuilding and identifying the new face of Euro,” says Paula. “Gareth added so much value with his instinctive and true cuisine, he’s undoubtedly the most talented chef we’ve ever worked with. The resulting Euro 2.0 was a moment we really felt proud of.” Richard adds “We’ve always tried to lead, always been consistent in being innovative, fresh and international.” 

So how do they feel now about the Grand Old Dame’s closure?  “We’ve made peace with it. We were definitely very upset at the time, it certainly wasn’t an easy decision,” says Richard. “But once we posted the news on social media, the outpouring of support from people far and wide was very moving.” 

“It actually made Richard cry, reading the comments from patrons and staff,” says Paula. Richard laughs recalling a recent conversation he had with a tradesperson, who asked what industry he was in, when Richard replied “hospitality”, the guy was quick to reply with, “well at least you don’t own Euro”.

So what now for the dynamic duo? “We can’t wait to be able to have one last hurrah with all of our fantastic staff to bid farewell in the manner Euro deserves,” says Paula. “It’s been as much a part of their lives as it has ours, so we really want to give her a proper send off.” 

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Heralding a return to life back from exile, these are the best looks from the recent S/S 22 Fashion Weeks in all their positively happy glory

With Covid restrictions (enviously!) relaxed enough in Europe to herald the return of the much-loved parade of pomp and circumstance that is the International Fashion Week circuit, the luxury brand designers staged a series of mesmerising ‘welcome-back-from-exile’ shows.

An unmistakable desire to banish the sartorial restrictions that the lockdowns necessarily imposed was clear, replaced with a sense of fun and frivolity. Designers heralded a new era of glamour that celebrates both positivity and inclusivity, and we here in New Zealand are more than ready for it.

With the plethora of new international luxury brands opening in New Zealand in the coming months, we have all this and more to look forward to in the seasons that lie ahead.

Alexander McQueen

Chanel

Burberry

Alexander Vauthier

Balmain

Balenciaga

Dior

Saint Laurent

Fendi

Isabel Marant

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Why it’s worth converting to Audi’s fully electric vehicles, the e-tron Gran Turismo quattro and RS

With the recent arrival of Audi’s highly anticipated Gran Turismo e-tron GT quattro and RS e-tron GT, our Editor-in-chief Claire Sullivan-Kraus, an SUV EV devotee, takes the coupé through its paces. 

I challenge you to ignore my exterior appearances and any preconceived notions you may have about me. Despite the fact that I did not vote for our current leader, I am in fact an eco-warrior. The majority of you who see me riding high in my current car (a Range Rover Vogue), will make the usual assumptions that I am a zero f***s given kind of SUV Mum. But oh how very wrong you are. Because despite your opinions, you’ll be shocked to learn that my Vogue is in fact a hybrid that gets me 50kms per day on a full electric charge. 

There are several reasons for my conversion to driving an electric vehicle. I am the first to admit, that aside from its environmental rewards, one of the major benefits is the convenience it offers not having to fill up on gas. When you’re a live-life-on-the-edge (or the tank is below 0kms) kind of gal, you’ll appreciate this fact alone.

So while my current mode of transport does the job of getting me from home to office to the school pick-up all on one overnight charge in my garage, the recent arrival of a new fleet of luxury full range electric vehicles has this right-leaning eco-princess excited to experience their offerings.

I spent many years as an avid Audi convert, a relationship that started in the early noughties with my penchant for the A4 Cabriolet… I call it my post-New York, living in a clean-air environment phase, where popping the top (of the car that is) brought about the sort of mental freedom one needed after living for eight years in a concrete jungle.

The interesting thing about a car marque, is that much like mobile phones, once they get you hooked on their functionality and design quirks, you find it very hard to change. It’s almost like learning a new language. So stepping inside the new Audi RS e-tron GT, I am immediately nostalgic for my past love affair with the brand. There’s something about Audi’s ability to make the cockpit feel luxurious, with red topstitched detailing, carbon fibre dashboard, and in my opinion the winner of the interior, red seat belts — you know you’ve arrived in familiar luxurious territory. The new twist however, in keeping with the environmental attributes, is that you have the option of a leather-free interior, superbly crafted from a high percentage of recycled materials.

While many other luxury marques launching EVs are following in the footsteps of Elon Musk, creating hyper technological computers on wheels, that require the sort of stealth understanding and navigation of a tablet that can only be comprehended by my eight-year-old son, Audi has instead opted to keep the majority of the e-tron GT’s interior functionality in keeping with the rest of Audi’s fleet. There are (pleasingly) actual buttons and toggles for climate and sound control, where one might expect to have to swipe through unlimited confusing screens.

Audi is a brand well known for its high performance sports coupés. So the arrival of the e-tron GT quattro and RS e-tron GT (as I drove), will no doubt be wildly popular with fans of the Audi R8 supercar, or just those with a penchant for sophistication and speed, delivered in a convenient four-door package. Audi has successfully reinterpreted the much loved Gran Turismo as a fast and dynamic vehicle, that also happens to deliver zero emissions.

The new RS e-tron GT is seriously spicy from the outside — taking some design cues from the R8 supercar, but also undeniably genetically related to its familial marque’s new EV offering the Porsche Taycan. The Audi RS e-tron GT has flared guards, wide rear proportions and dramatic rear lighting that immediately turns heads. Interestingly, the extremely sporty proportions all contribute to the car’s overall efficiency. No one wants to look better from behind, but this certainly is the case here. The RS e-tron GT has quite possibly the best looking rear end (albeit inanimate) that I’ve ever seen.

To the EV naysayers — of which there are still many — the most important factors are not how an EV looks — which is ridiculous when you consider the Mickey Mouse visage of some marques — but how long its range is. The new Audi RS e-tron GT has an impressive 472km range, which for someone who travels to the Bay of Islands on the regular, means I could make it there and back without having to charge it at all. But if I did need to charge it, the onboard fast-charging system offers incredibly short charging times of just five minutes for a distance of roughly 100kms.

And for those times when you just have to ‘get the hell out of dodge’ which, let’s be honest, can happen to us all, the RS e-tron GT will have you hitting the speed limit (100kms) in just 3.3 seconds. All conveniently achieved in the stealth quiet whisper that EVs are renowned for. Though the optional e-tron sport sound that’s available for both exterior and interior noise most certainly has its place when you’re needing to make a point with your swift departure. 

So after several days of going about my business in this new dynamic four-door electric vehicle, I’m left with an undeniable urge to ditch the SUV in favour of the GT.

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Pip Edwards. Stylist: Jess Pecoraro.

P.E Nation founder Pip Edwards on life lessons, her unconventional journey into fashion and making her own rules

From an unconventional start to heading up a global sportswear empire, Pip Edwards has never been one to follow the pack. As Co-founder and Creative Director of sport luxe brand P.E Nation, Edwards’ tenacity is undeniable, with an intuitive yet sharply honed nous for both business and creativity that has seen the brand clock hugely impressive milestones in just five years since it launched. Dynamic and passionate, her love of movement extends far beyond just the physical, ensuring she’s running into the future with her sights firmly set on achieving both her own goals and those of her business.

Gathered outside your local café, collectively posing in downward dogs at the yoga studio, or assembling on ski fields countrywide, the groundswell of dedicated devotees of P.E Nation is impressive to say the least. Since the inception of the brand in 2016 by Edwards and business partner Claire Tregoning, P.E Nation now reaches countless women and men the world over, with a team of 55 working to reach over 500 touchpoints in more than 50 countries and 95 retail outlets. 

Despite this, Edwards’ journey to this point did not follow a typical fashion trajectory. Edwards has no formal fashion design training — instead, her working career commenced with a Bachelor of Commerce and Law and a corporate job with PwC. It wasn’t long, however, until she shifted her career to where her passions lay. Cutting her teeth at iconic Australian brands such as Ksubi, General Pants Co. and Sass & Bide, Edwards worked around the clock in P.E Nation’s infancy to launch the brand in her downtime. The founders’ dedication has seen the brand reach often unprecedented heights — including becoming the first Australian fashion house ever to partner with Swedish retail giant H&M in 2020.

The global appetite for athleisure has grown to the point where it has far surpassed being merely a ‘trend’, and is firmly entrenched in our everyday fashion parlance. From Australia to the world, P.E Nation has undeniably played a large part in this. Here, Edwards gives a glimpse into her world and the fundamental factors that she relies on to make magic.

When I was young, I very much lived in my parents’ world. I was quite studious and really focused on my academic achievements.

While I wasn’t born in New Zealand, to me I consider it my fatherland. I have a strong affinity for its stealth landscape because of my father’s heritage. New Zealand is my second home.

I developed a passion for fashion and design when I was three years old when I was adamant I knew what to wear. I would constantly draw outfits and I would pull out my trusty scissors and DIY my whole wardrobe. I had an early passion for all things fashion.

Fashion is based on my gut intuition and my personal feelings. My love of fashion history and the breadth of my research means I have a back catalogue of knowledge. While I don’t have an official fashion design qualification, and I don’t necessarily know the ‘design rules’ per se, I follow my innate understanding of aesthetics and I constantly source inspiration from around the world in order to continually drive our designs into something unique.

The journey to where I am now has been somewhat convoluted. I have crossed multiple industries; hospitality, finance and the corporate world and then to fashion. Having this career history has allowed me to have a holistic view of how business comes together. It’s been my varied skill set combined with a burning passion that has led me to where I am today.

I would describe the birth of P.E Nation as the re-birth of me. I guess it’s me arriving at who I am, unapologetically. Combining my study, years of working knowledge, life experience and inspiration has led me to my ultimate ‘Ikigai’ or ‘reason for being.’ It’s a Japanese philosophy meaning, when your mission, your vocation, your profession and your passion combine, and are all in alignment, you can create magic.

Creating a fashion brand from scratch is no easy feat. And it’s not at all what you see on social media. It’s much much more than cool clothes and a great image. It involves a lot of dedication, planning and structure. One of the biggest challenges people don’t really see or consider comes from ensuring we are manufacturing at our very best, and this can be a difficult thing to achieve.

I’d like to be known for creating a community of like-minded people who are all wanting to tap into who they really are to find their inner strength.

People would be surprised to know that I play the piano. I played religiously for 12 years.

The most important lesson that life has taught me is resilience, and to be solution focused, and to bring your team on the journey with you.

Being a mother has taught me selflessness and responsibility and an acknowledgement that life is precious and to always think of the bigger picture. My son Justice is my biggest inspiration. He is my benchmark for love and my benchmark for progress.

My designing process is chaotic, ad-hoc and constant. I also believe strongly that you should make your own rules in work, and in life.

Gaining global notoriety through collaborations with the likes of H&M enhanced P.E Nation’s exposure in untapped markets and aided with brand recall. The next thing we would like to do is take over the US market. And maybe meet Madonna in the process!

I’m immensely proud of both my business and my son, but running parallel to that is my spiritual and emotional journey. Getting to where I am as a single mother, how I juggle being a mum and a business owner at the same time hasn’t been easy, but I’m proud to be doing it, supporting both of us and ticking boxes for both of us.

This doesn’t come without its challenges, though. The biggest thing I have to overcome is my own head. My own self noise and thoughts can get the better of me sometimes. This is a constant work in progress and is the only thing that ever holds me back from doing more. I’m really working hard at the moment on striving towards an inner peace.

At the end of the day, you really should do what you love and you’ll always do it well.

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The great escape: Films that will transport you around the world

With escapism high on our collective agendas and plenty of time on our hands, settle in for an evening of international travel, courtesy of the beautiful locations of these classic films. Prepare for the best of Europe, America and Asia, without the queues thanks to this carbon-neutral cinematography.

Lost in Translation
This classic drama, also by the visually-gifted Sofia Coppola, deftly romanticises the infinite possibilities of solo travel. An American actor Bob (Bill Murray), lands in Tokyo to film a whiskey commercial and ends up meeting Charlotte (Scarlett Johanssen), who’s left behind by her photographer husband. Gradually a relationship develops, with the metropolitan landscape of the Japanese capital and its unique culture fuelling an unexpected friendship.

The Talented Mr. Ripley
Anthony Minghella’s bewitching 1999 film adaptation of Patricia Highsmith’s novel, starring Matt Damon, Jude Law, Gwyneth Paltrow and the coast of Italy, has become a cult classic, providing inspiration for many Italian holidays. Tom Ripley (Damon) is a calculating chameleon who believes it is better to fake being somebody than live as a nobody. Opportunity knocks in the form of a wealthy US shipbuilder who hires Tom to travel to Positano (standing in for the fictional town of Mongibello) to bring back his playboy son, Dickie (Law). Ripley worms his way into the idyllic lives of Dickie and his girlfriend Marge (Paltrow), plunging into a daring scheme of duplicity, lies and murder.

Marie Antoinette
If running across the expertly groomed gardens of the Palace of Versailles in an extravagant corseted-gown is the first thing on your post-quarantine agenda, then Sofia Coppola’s 2006 cinematic love letter to the outrageously decadent Queen of France is for you. Champagne-fuelled dance parties, and proclamations of ‘Let them eat cake’ are sure to be on the cards for us all in a few months. Let’s just hope we can also do it in Paris.

The Wolf of Wall Street
Depressed about losing your highfalutin’ lifestyle after your investment portfolio went south, momentarily, with the stock market? You can wistfully reminisce about your past life of helicopters and illicit drug use in this 2013 classic by Martin Scorsese. Jordan Belfort’s outrageous story of fortune and demise showcases the upwardly mobile and glossy side of New York City and New York State, brought vividly to life by Leonardo DiCaprio and Margot Robbie.

Vicky Cristina Barcelona 
Actors in Woody Allen’s films must be prepared to share billing with incredible locations, and the award-winning Vicky Cristina Barcelona from 2008 even places the beautiful Spanish city in the title. Exquisite locales provide the backdrop for two young Americans, Vicky (Rebecca Hall) and Cristina (Scarlett Johanssen), who during a steamy Spanish summer meet a flamboyant artist and his beautiful but crazy ex-wife (Oscar-winning Penelope Cruz). Vicky is strait-laced and about to be married. Cristina is a sexually adventurous free spirit. Comedic and harrowing results emerge from the romantic entanglements.

Life is Beautiful
Both a love story and a tragic recounting of events, this 1997 Italian comedy-drama follows a Jewish Italian bookstore owner (director and star Roberto Benigni) who employs his vast imagination in an effort to protect his son from the horrors of internment in a Nazi concentration camp. The lavish scenes in Arezzo dominating the first half of the film are simply beautiful, but be warned these do eventually give way to bleaker scenes. This is an important journey to take.

Bill Cunningham New York
A heartfelt documentary following the late, great New York Times contributor, Bill Cunningham. The film follows the eccentric chronicler of fashion as he emerges from his home atop Carnegie Hall to tirelessly document the fashionable get-up of New York’s denizens. From exquisitely dressed celebrities arriving at black-tie events to ordinary New Yorkers dressed to thrill on the subway, Cunningham made Fifth Avenue his own personal runway.

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Jamie McLellan, Allbirds Head of Design, takes us through a masterclass of principles that have informed his career

New Zealand designer Jamie McLellan first met Allbirds founder Tim Brown in 2011, when Brown came to him with the somewhat unconventional idea to craft a shoe from merino wool. Already an established, well-respected designer on the global stage, McLellan had spent time working at Fisher & Paykel and in Italy, Hong Kong and Hawaii, before working closely with acclaimed furniture designer Tom Dixon in London. He had also run his own design consultancy in New Zealand, where he created a diverse portfolio of work including lighting, water craft, Olympic bicycles and beer taps, as well as working with brands such as Cathay Pacific, and designing furniture for Resident.

In 2016, the Allbirds Wool Runner launched to serious global acclaim, and saw McLellan’s career enter a new stratosphere. He moved to San Francisco to take up the position as Allbirds’ Head of Design, where he still resides today. A rarity in that he is able to work successfully across multiple design disciplines, McLellan’s ability to define brand direction as well as hone individual products, makes him a bona fide virtuoso in his field.

Here, McLellan delves into the key factors that have informed his career thus far.

Pivotal moments collectively define a successful career
My career could be broken up by a series of epiphanies; light bulb, penny dropping moments. And each time my passion, curiosity, and clarity increased. Sometimes it has been catalysed by a person or a mentor, other times a place or experience. On leaving Fisher & Paykel and immediately realising how formative it was, and how fortunate I was to have cut my teeth under the leadership of Mark Elmore. Hisham Kulhanek, my boss in Italy, taught me about the design ‘maestri’ or masters. My time living in Hong Kong and Southern China confronted me with the true scale of Western consumption.

Tom Dixon invited me into his world, to learn to ‘read his mind’ and, sink or swim, exposed me to a multitude of new design processes and outputs. Then finally coming home to New Zealand, naive again and having to figure out what I stood for myself. Tim Brown (of Allbirds) walking into my studio with ‘that’ piece of wool. And Joey Zwillinger speaking vocally about driving petrochemicals out of an industry. I look back on each of these moments as pivotal to my ongoing development and evolution as a designer.

Design products that have a right to exist
I have been lucky, for the most part, to pursue work that involves things I am directly interested in. Consciously choosing work that I felt had the right to exist. Figuring out where my skills lay, becoming comfortable in my own skin as a designer, and not compromising on my beliefs.

Spar Junior lamp designed by Jamie McLellan for Resident

There is always a singular idea that starts the design process
An opportunity, a curiosity, something missing, something unanswered that can fuel an idea. From here it’s often about understanding what is the minimum needed to solve this problem. And what is the mechanism or the material employed to perform the required function, how do we reduce this and at the same time celebrate it, find something special and visually memorable in the process. There is always a singular idea present in all my work.

For example, when designing the Allbirds Wool Runner, stripping away all detail, all seams, all logos, all components allowed the wool to truly shine, to be the hero. On a beer tap it might be about celebrating the simple billboard function on the front and exposing the plumbing through the back, honestly and beautifully. 

Success is not just about money
The lovely thing about working for Allbirds is that the success of any individual product design can be measured very tangibly and almost in real-time, given our direct connection to the customer. But the other metric we pay extremely close attention to is carbon; the lower the carbon footprint, the more successful a product is.

Words of wisdom from wise people are invaluable
Early in my design career, Tom Dixon imparted several mantras that I still hold in high regard today.

• “If a sphere will do the job, make it a sphere”, i.e. reduce, reduce, reduce.

• “Learn to read my mind”, i.e. get used to the ambiguity. 

• “Don’t be afraid of getting your sketchbook dirty on the workshop floor”, i.e. get out from behind the computer! 

More recently, the leadership and mentorship I have received from Allbirds CEOs Tim Brown and Joey Zwillinger as I learn to navigate the fast moving, high growth, ambitious environment of Allbirds, has been critical to my ongoing design and career development.

The best client is one who is trusting
But also not afraid to push, to question, to be brutally honest. One who invites you to embed with them and shares everything with you. One who you become friends with, where the transaction is secondary, one who wants to grow and evolve with you. Also, it’s the one you want to have a beer with at the end of the day.

You’ve got to trust your ability
Know that design inspiration will ebb and flow, that there will be slow times and there will be periods of prolific creativity. Learn to identify moments when the energy isn’t there and do something different to stimulate your mind rather than heaping more pressure on yourself.

A good brief can still be hard
It can be a conundrum, but often within it lies the opportunity. A bad brief on the other hand is often too prescribed, too predetermined, too informed by what has gone before, and not ambiguous enough.

I continually educate myself by being curious
Staying visually and tactically stimulated. Living with the objects I am trying to design. Cleansing my palate by thinking about diverse problems, and also by emptying my brain by getting into nature.

Design is a broad career category
Working in Silicon Valley, being a product designer usually means designing software, apps, coding — not physical products. People are always surprised when I tell them I am actually a product designer, and especially surprised when I tell them I work for a company that makes wool shoes. 

It’s fundamental that design has a purpose
That it is authentic, humble, refreshing and inclusive.

Kayak 1 designed by Jamie McLellan in collaboration with Andy Jacobs

Designing is best approached with no rules or limitations
When you’re not even aware of them. A good dose of naivety, up to a point, can be really helpful in unlocking successful creative outcomes.

Make design relevant to the culture of the times
Recognise one’s own blindspots and trust others with different and better skills than your own. It’s also really important to stay true to your course, don’t chase new ideas for the sake of new. And definitely don’t fall into the trap of designing for designers.

Embrace the joy in what you’re doing
Humour, or more specifically joyousness, is something I have learned to embrace since working with Allbirds. Irreverence and whimsy as a way of engaging with a wide audience, but also as a way of making the subject of sustainability not as scary and as heavy as it can sometimes be perceived. 

My favourite works are the designs that came easily
Almost unconsciously. There are a few of these where I look back and think “where did that come from?” I think especially when I was younger, greener, less aware of commercial pressures and imperatives, some blind youthful confidence resulted in some rather brave solutions.

Spin Candelabra designed by Jamie McLellan while working for Tom Dixon

Be proud of your achievements
In the early days, I was proud of the washing machine button panels I designed at Fisher & Paykel, in fact I was so proud of them that I would pop onto the factory line and take sheets of these stick-on buttons and give them to family and friends, signed no less! I was really proud of my work with Tom Dixon too, most notably the cast iron work we began in around 2006, that started with the Spin Candelabra. 

Never stop wanting to do more
Allbirds has so much potential, we’ve only just scratched the surface, and we are only just getting started really. I can’t share too much more with what’s in the pipeline, but the future definitely looks very exciting. 

Celebrate others
Practising design, it’s easy to become competitive. The most successful designers I have met are the ones who recognise the talents of their peers.

Design

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Actor Sam Neill on his process, surreal career moments and the most common misconception about acting

As one of New Zealand’s most renowned silver screen actors, Sam Neill has enjoyed a career paved with iconic films, Hollywood encounters and interesting characters that have made him into a household name. From his big break as Dr Alan Grant alongside Jeff Goldblum and Laura Dern in Steven Spielberg’s 1993 classic, Jurassic Park (a role he is set to reprise with the original cast for Jurassic World: Dominion) to more quirky roles in films like cult comedy Hunt For The Wilderpeople, Neill is, if not a traditional leading man, certainly a relatable one.

Alongside his acting success, Neill’s second passion is winemaking, something in which he has been deeply invested since establishing his Central Otago vineyard, Two Paddocks, as a modest five-acre Pinot Noir operation in the early ‘90s. Since then, Two Paddocks has grown to incorporate three other vineyards, has produced widely-acclaimed Pinot Noir, and is now focused on cultivating organic, sustainable practices. For Neill, who, when not filming offshore, lives on his farm in Queenstown, caring for the land is paramount. And despite having spent most of 2020 overseas working with some of the biggest names in show business, he always looks forward to coming home.

Here, the down-to-earth actor dishes out some wise words on his process, his passions and who he would love to meet. 

When I was young I was very shy and stuttered. I grew out of the stuttering thing and I think the shyness is gradually evaporating. Anyway, no lasting damage.

I’d like to be known for being kind. I’d like to be remembered for being a gentle spirit. But it’s unlikely I will be remembered for anything at all.

People would be surprised to know that I can still — believe it or not at my advanced age — sprint. Well, you have to when pursued by dinosaurs. All my friends who were good at sport back in the day, are virtually immobile now, and are on their third set of hips. Last laugh for me. 

Life is short. And you need to live it as fully and as meaningfully while you can. I am now becoming of an age when it’s clear there is not a lot of time left on the clock. So I won’t be sitting around daydreaming. There’s still much to be done. 

A common misconception about acting is that actors are narcissists and vain. I’m not sure why, given that most actors I know are riddled with insecurities. This is not surprising given the precarious nature of our work, and most of us live hand to mouth. Every time I finish a job I think “well, that’s it – I will never work again”. Then, to my delight, the phone rings with another opportunity, and I’m never more excited than when I’m off to do another job.

As a father I probably wasn’t the absolute best. I gave it a pretty good shot when I could. I’m pleased to see my children are themselves better parents than I was. I think I grew up with parents who were fond of me but rather distant. It was a sort of British thing. I probably wasn’t that much better. Nevertheless my children seem to be reasonably fond of me to this day, so that will do. I certainly adore them.

I have one close acting friend who I would love to work with. Timothy Spall. I remember seeing him as a neophyte with the Royal Shakespeare Company in 1979 and I’ve never forgotten that performance. I have followed his career ever since and we became friends some 25 years ago. I value his friendship enormously, we’re very close, but no one has ever put us in a film together. Still, you never know.

I admire Jacinda Ardern’s mettle. I am comforted by her empathy and I think she handled the pandemic in an exemplary fashion. She has a tremendous amount of political capital at the moment, and I hope she spends it wisely. Like everywhere New Zealand needs a lot of fixing – social inequity, environmental problems, poor housing, the list is very long. But she and her government can begin to address much of it if they have the will. 

My acting process could be described as a shambles. I am never sure whether it is better to think things out or just wing it. I’ve just worked with Chris Pratt on the Jurassic World movie and I was agog with the extent he’s given to thinking about how to actually be a hero in the movies — something I’ve never actually stopped to consider. However it does seem to also involve quite a bit of hard work — getting fit and buff and looking generally ace. I am not quite sure if I’ve ever had the time or the motivation for that. 

When you make it big in the movies don’t be a prick. Some find this impossible to resist. Don’t have an entourage, don’t be demanding and above all mind your manners. You are not entitled. And remember it can all just evaporate tomorrow. 

Work and Covid have kept me away from my farm [in Queenstown] since February, and a lot has happened in the interim. We are onto a new vintage, I’ve built a new house and it’s almost summertime already. The first thing I’ll do [when I’m home] is have a swim in the dam. 

I’d love to meet Jeff Bridges. We almost met when we were both working in Richmond, Virginia but it didn’t happen. I really like what he does and how he does it. And now I hear he is battling with cancer so I’d like to wish him well. 

I’m pretty sure that I know what is going to happen next. But if nothing else, 2020 has taught us that absolutely nothing can be taken for granted. Again one must remember the importance of living for the day. Life is not just full of surprises, it’s landmined with shocks and starts.

I’m outraged by the increasing disparity everywhere between the haves and the have nots. When I grew up in New Zealand it was, in all fairness, a pretty monotone kind of place, but it was a sort of benignly socialist country. Nobody had much money. Nobody was in dire poverty. And I think it was a happier place for all that. We all made do. And now so much politics and life as we know it, is driven by avarice. I suspect all this happened about the time of Margaret Thatcher and Milton Friedman, but I am not an historian. Money and greed seem to make the world go round now. The bankers, the Trumps, the Oligarchs — these are the people that seem to dictate how things work. But as the poet said: ‘A Change is Gonna Come’. 

My definition of success is having enough clout to get you a good seat on a plane, but not so much fame that you need a bodyguard beside you on that plane.

The best piece of advice I’ve ever received is “Never wear a brown suit, my boy” [my father].

And the worst; “You need to be a lawyer, you were made for it”. [“Clicks” McClelland – Barrister]. 

Acting is something you either have or you haven’t. You can go to drama school and learn skills most certainly. But rather like being a painter — if you ain’t it, there is just nothing to be done. It is also the most precarious of careers. And you need to get used to constant rejection to survive at all. But it is also about as much fun as you can imagine.

Happiness is elusive. Appreciate it when it turns up. Relish it. To expect to be happy all the time — that is where madness lies. 

My family would describe me as ‘the old fart’.

One of the most surreal moments of my professional life was standing around with Tom Jones, Herbie Hancock and Sting talking rugby in the Hollywood Hills. 

Reuniting with the team for Jurassic World: Dominion was really great fun. And the fact we were all locked up together for five months was even more bonding than before. The ‘new’ cast are great too — Chris, Bryce, Mamoudou, DeWanda and so on: funny as a fight. We had our dark days of uncertainty, but overall it was a blast. 

Owning a vineyard is addictive. I now own four, and each one I prize and nurture. And once you start, you just want to make the best wine in the world. We are getting closer every day. 

Home is my farm. I like everything about it. I hate doing nothing, and there are always a thousand things to do there. It’s also a beautiful, peaceful place to be. 

I’m most proud of the immense effort we have put into turning everything we do at Two Paddocks organic and sustainable.

The biggest thing I’ve had to overcome in my career is being confused for Hugo Weaving. And maybe not having much of an obvious personality. I am always surprised to come across people with ‘big’ personalities. I much prefer to be the quiet one in the room. 

I look back on my life and think you lucky bastard. I don’t think I had any great talent to speak of but I got some lucky breaks, met some delightful people, worked in countless fascinating countries, had so many wild adventures, made wonderful friends, grew wine of which I am particularly proud, and had some really happy times. I have no idea why I was so fortunate.

At the end of the day we all turn to dust. But not just any old dust. Stardust.

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