Could this be the world’s most expensive burger? This charitable bite is aiming to break records

Wellington On A Plate’s Burger Welly festival is hotly contested, with chefs around the city competing to win the hearts of its patrons with the perfect burger. Entering a league of its own this year is Everbody Eats’ The Rescued Burger, which hopes to raise $10,000 from one devoted diner.

The winning burger boasts a sustainably sourced tahr pattie, American cheddar cheese, ‘rescued’ butter pickles and housemade BBQ sauce. But the real value is helping the cause behind the unconventional cheeseburger. 

As with each meal served by the charitable dining concept Everybody Eats, food that would otherwise go to waste is turned into restaurant-quality fare with customers paying whatever they like, or can. The aim is to help solve issues with food waste, food poverty, and social isolation in one delicious dish. 

The Rescued Burger is currently up for auction on Trade Me, with bids closing Monday the 30th of August. If it sells for the hoped-for price tag of $10,000 within this time, it will be the world’s most expensive burger — with all proceeds going to the charity so they can keep up the good work.

Currently, the title-holder is The Golden Boy burger from a Dutch diner called De Daltons. (It’s presented on a platter of whiskey-infused smoke and loaded with rich ingredients including Wagyu beef, king crab, beluga caviar, smoked duck egg mayo, and white truffle in Dom Perignon infused gold-coated buns.)

While Everybody Eats burger is for a much better cause than exorbitance, it has been confirmed that if you are the one to fork out upwards of $5000 on a burger, it will throw in a bottle of French Champagne, and a side of fries.

While the auction is running, Everybody Eats will be slinging the same burger option at its Te Aro outpost, so that everyone has a chance to enjoy the occasion. 

“We get a great turnout at our restaurant in Wellington serving almost 600 people a week, so the demand is obviously there,” says founder Nick Loosley. “To take part in the festival and ensure that anyone can get involved is super exciting. Some of our regulars experience homelessness, so to be able to give them a delicious burger as part of a festival that they would otherwise be excluded from is humbling. We can give some of these burgers for free because of those giving generously to pay for their own, and there’s something really special about that.”

The Rescued Burger will be sold as part of Burger Welly on Tuesday 17th, 24th and 31st of August. It’s takeaway only, and likely to sell out. If you miss out, you can always place a bid online for the contender of the world’s most expensive burger. 

Everbody Eats Wellington
60 Dixon Street
Te Aro, Wellington

www.everybodyeats.nz

Gastronomy

These are the Auckland eateries staying open over the summer holidays, plus we’ve rounded up all of the holiday hospo hours you need to know
Escaping the city for the holidays? We round up the best eateries up and down the country
Denizen’s definitive guide to the best fish and chips in Auckland — and the scenic spots to enjoy them

Art Market: These superb works are our top picks to buy now

Perusing gallery walls is one of our favourite pastimes. Challenge your perspective and elevate your surroundings with this selection of refined masterpieces.

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Into The Drop Zone by Lara Merrett

Into The Drop Zone by Lara Merrett

Into The Drop Zone by Lara Merrett

Into The Drop Zone by Lara Merrett

2018
Acrylic and ink on linen and canvas
183 x 174cm
Available from Sumer Contemporary

Mary-Jo Rapini (NDE) 2003 by Peter Stichbury

Mary-Jo Rapini (NDE) 2003 by Peter Stichbury

Mary-Jo Rapini (NDE) 2003 by Peter Stichbury

Mary-Jo Rapini (NDE) 2003 by Peter Stichbury

2021
Oil on linen
1600 x 600mm
Available from Michael Lett

Flare by Judy Millar

Flare by Judy Millar

Flare by Judy Millar

Flare by Judy Millar

2021
Acrylic and oil on canvas
2100 x 1600
Available from Gow Langsford

Poet Streets by Matt Arbuckle

Poet Streets by Matt Arbuckle

Poet Streets by Matt Arbuckle

Poet Streets by Matt Arbuckle

2020
Acrylic and oil stick on knitted polyester voile
820 x 620 mm
Available from Two Rooms Gallery

Seascape #22 (Orange Dawn) by Harry Culy

Seascape #22 (Orange Dawn) by Harry Culy

Seascape #22 (Orange Dawn) by Harry Culy

Seascape #22 (Orange Dawn) by Harry Culy

2014
Archival pigment print framed with art glass
812.8 x 1016mm
Available from Parlour Projects

Seasons (Spring) by Erin Lawlor

Seasons (Spring) by Erin Lawlor

Seasons (Spring) by Erin Lawlor

Seasons (Spring) by Erin Lawlor

2020
Oil on canvas
190 x 130 cm
Available from Fox Jensen McCrory

Kiss by Casey Jeffery

Kiss by Casey Jeffery

Kiss by Casey Jeffery

Kiss by Casey Jeffery

2019
Acrylic and oil on board
700 x 600 mm
Available from Suite

Pink Clouds (Sunset) by Gretchen Albrecht

Pink Clouds (Sunset) by Gretchen Albrecht

Pink Clouds (Sunset) by Gretchen Albrecht

Pink Clouds (Sunset) by Gretchen Albrecht

2016
Polymer Photogravure etching
940 × 600 mm
Available from Parnell Gallery

Venus by Molly Timmins

Venus by Molly Timmins

Venus by Molly Timmins

Venus by Molly Timmins

2021
Oil and embroidery on canvas
1020mm x 770mm
Available from Sanderson Contemporary

#45 by Simone Rosenbauer

#45 by Simone Rosenbauer

#45 by Simone Rosenbauer

#45 by Simone Rosenbauer

2015
Archival pigment print, edition of 8 390mm x 390mm, framed
Available from Sanderson Contemporary

Stairs by Hanna Petrick

Stairs by Hanna Petrick

Stairs by Hanna Petrick

Stairs by Hanna Petrick

2017
Acrylic on linen
900 x 1300mm
Available from Whitespace

The Unnameable by Martin Poppelwell

The Unnameable by Martin Poppelwell

The Unnameable by Martin Poppelwell

The Unnameable by Martin Poppelwell

2019
Acrylic on canvas
1500x1500mm + frame
Available from SPA_CE

 

He Tukuna II by Raukura Turei

He Tukuna II by Raukura Turei

He Tukuna II by Raukura Turei

He Tukuna II by Raukura Turei

2020
Oil, raw pigment and onepū (black sand) on linen, two panels
60 x 60cm each
Available from Sumer

Big Node #37 by Andre Hemer

Big Node #37 by Andre Hemer

Big Node #37 by Andre Hemer

Big Node #37 by Andre Hemer

2016
Acrylic and pigment on canvas
1200 x 900 mm
Available from Suite

Line Traversed by Karyn Taylor

Line Traversed by Karyn Taylor

Line Traversed by Karyn Taylor

Line Traversed by Karyn Taylor

2018
Cast acrylic
600mm x 800mm x 40mm
Available from Sanderson Contemporary

Culture

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An exciting Korean eatery in Ponsonby, serving up big flavours with a side of soju

With a name meaning ‘let’s go’ in Korean, Gaja has us ready to say the same to all our nearest and dearest after eating there only once. The charming 50-seater eatery is a brand new addition to Ponsonby Central’s hospitality stable, and specialises in flavourful modern Korean fare that appeals for both daytime and after dark consumption.

Gaja’s artworks were commissioned by local artist Marcus Watson.

Run by Managing Directors TJ Pak and Josh Humberstone, Pak says he and his team are keen to get Aucklanders familiar with the concept of ‘suljibs’ — a Korean word that directly translates to ‘alcohol house’ or ‘bar’ — and the culture within them that is based on the sharing of food dishes and soju.

While, in the West, some of us might be most acquainted with the sweet, flavoured soju that accompanies a night on the karaoke mic, traditionally the type of soju enjoyed with meals is much cleaner in taste — more like sake. There are several etiquettes around enjoying food and soju as a group, and at Gaja they’ll be explaining this culture to diners in order for people to understand it and therefore get even more enjoyment out of it.

Since our visit, we’ve learned that soju should always be shared — not sipped from the bottle or poured for yourself. Lift up your cup with both hands when someone is pouring soju for you, and you should down your first shot in one. This last point left a pleasant warm feeling spreading through the chest, which helped the food go down that much better.

Top left: Gang Jeong Eggplant.

Speaking of food, Gaja’s is delicious, with chefs Riley Min and Tako Yang harnessing the fundamental Korean bases of spicy, fermented gochujang, soybeans and soy sauce to create a menu that mixes dishes of traditional Korean origin with Western twists, and Western dishes with Korean tweaks.

While the lunch menu comprises a selection of bowl-based ‘dupbab’ dishes for a quick bite (these are made with various tasty proteins served over rice), the rest of the offering is designed to share. ‘Gang Jeong’ eggplant is a highlight; pieces of eggplant that have been cooked until impossibly soft in the middle, deep-fried so they’re crispy on the outside with a sticky gochujang glaze and yoghurt sauce.

Gaja’s fried chicken employs the same, deliciously sticky flavours, only meat-ified, and the ‘Sunset’ salmon is a fresh plate of cured king salmon with various pairings that is both a joy to look at and to eat.

Gaja’s Sunset Salmon, cured overnight in Hwayo soju, orange and beetroot, severed with smoked cho-gochujang, avocado creme and chives.

The Kimchi fried rice, a traditional Korean favourite, is comforting, salty, savoury and hard to stop eating once you start. Topped with a fried egg, it’s a great side to any of the other dishes. We also loved the Ddukbokki — described as ‘the closest you’ll get to Korean pasta’, addictively chewy rice tubes that resemble elongated gnocchi are served in a thick gochujang sauce, infused with bone marrow and finished with a topping of tempura crumbs and green onions.

We gobbled up Gaja’s Korean take on prawn toast, with a juicy prawn and corn filling sandwiched in miniature fried toasties, served alongside a sweet and slightly spicy dipping sauce.

Right: Premium Hwayo soju is the perfect accompaniment to a meal at Gaja.

From small snacks to medium and larger dishes, there is plenty on offer for carnivores and vegetarians alike. Drinks-wise, as well as wine and beer, and a selection of sojus (including non-flavoured, flavoured and premium varieties) there is a selection of cocktails, most of which harness the same fusion vibe of the food. The signature ‘Hwaju’ cocktail is a fruity yet sour concoction of cherry soju, dark rum, pineapple, lemon, cranberry, cherry bitters and egg white, while an ‘Espressoju Martini’ sees premium Hwayo 41 soju added to the traditional coffee-based recipe. The ‘Seoul Spritz’ also sounds intriguing, a refreshing mix of gin, prosecco, blueberry soju and soda.

With the Ponsonby Central complex and surrounding area currently undergoing substantial reinvigoration, it’s set to become even more of a dining destination than it already is. With its lighthearted yet thoughtful offering, Gaja is set to be leading the pack.

Top left: the Menbosha prawn toast.

Is there a new opening you believe should be on our radar? Let us know at [email protected]

Opening hours:
Monday to Sunday: 11:30am — late.

Gaja
Ponsonby Central
4 Brown Street,
Ponsonby

www.gaja.co.nz

Gastronomy

These are the Auckland eateries staying open over the summer holidays, plus we’ve rounded up all of the holiday hospo hours you need to know
Escaping the city for the holidays? We round up the best eateries up and down the country
Denizen’s definitive guide to the best fish and chips in Auckland — and the scenic spots to enjoy them
Find a range of Codage products at Spring Store.

This Codage Paris daily skincare guide is here to help you get that glow

With the swarm of skincare options on the market, our daily routines can become a little cosmetically confused. Taking time to create a tailored routine takes the guesswork out of your skincare, so all you need to do is apply, and appraise the results. 

Codage Paris Skincare has developed the holy trinity of skincare steps — Prepare, Act, Protect — for a stunning complexion. It’s about finding the right ritual for your skin and adding one last step — Repeat.

Codage Paris’ daily skincare guide (below) will help you regain and maintain that dewy, healthy glow long term.

Prepare
Always double cleanse daily and exfoliate once a week.

We suggest the light texture of the Codage Paris Cleansing Cream, rich in organic shea butter and coconut oil, Moringa extract and apricot seed oil for the mornings. The uniquely silky Cleansing Balm melts into an oil and then works into a milk emulsion to nourish, soothe and detoxify in the evening.

The Peeling Lotion is a weekly toner, packed with highly concentrated AHA hydroxy acids and new generation PHA acids to resurface, hydrate and regenerate all in one. Perfect for all skin types, all you need is a quick swipe over the skin, once a week to keep the skin looking slick.

Act
Serums are the skin transformers, so you cannot miss this step. Always apply before moisturiser.

Serum No. 3 – Radiance & Energy is an elixir of powerful hydrators, antioxidants and Botox-like proteins, perfect for restoring brightness to the dullest, complexions.

The hero product of Codage Paris, Skin Recovery, targets stem cells to strengthen and regenerate skin, soothe redness, soften, and reduce blemishes. It’s anti-aging and first-aid for skin all-in-one.

Protect
When it comes to protecting creams, focus on the eye area and the face separately.

The Day Cream provides highly concentrated, Codage Nutri-Elements to balance oil and moisture levels in the skin — offering the most radiant day-to-day protection. Packed with a vegan viper venom-mimicking peptide, the Botox-like effects are paired with exotic plum extracts to offer plump, hydrated, youthful skin.

Because the skin around the eyes is different to the face, The Eye Contour Cream is a velvety-smooth emulsion, especially formulated to intensely moisturise the eye contour without weighing it down. Dark circles are deflated, puffiness is kept at bay, and contours are lifted and fine lines smoothed for noticeably brighter eyes.

To reinvigorate your skincare regime, we’re giving one lucky Denizen the chance to win the ultimate Codage Paris skincare experience. The winner will receive a one-on-one consultation to tailor the perfect routine for their skin, including $500 worth of Codage Paris products thanks to Spring Store.

This competition is now closed.

Wellbeing

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It’s World Beer Day! Make like an expert with our guide on how to pour the perfect beer

When your chosen thirst quencher is beer, the pouring process is of equal importance as the brewing one. In honour of World Beer Day on Friday 6th August, we consulted the savoir-fairest of them all, Peroni Nastro Azzurro, to verse ourselves in the five steps to a ‘Perfect Pour’. Follow them all to ensure that each and every Peroni is enjoyed at its best — prego.

1. The Vessel
If possible, use pre-chilled, clean glassware — the former will help keep the beer crisp and cool while the latter will ensure the beer’s flavour profile isn’t tainted by any cleaning products. It might be obvious but it’s often overlooked. (Ideally, you’ll have a Peroni glass on hand with a shape that enhances the bubble effect and, therefore, the overall taste.)

2. No Contact
For hygiene reasons, never touch the glass or the beer with the top of the bottle. The outside of it may not be clean and you could transfer dirt into the glass, spoiling its taste and appearance. No one wants that.

3. The Pour
When the glass is half full, slowly straighten it to an upright position. This will ensure that the beer retains the perfect carbonation, enabling you to deliver the desired 3cm head.

4. The Head
Allowing the beer to settle with a head of dense foam will help to enhance the subtle, delicate volatiles (substances generated by the yeast that evaporate at low temperatures). Volatiles are responsible for the beer’s fruity and hoppy characteristics and having a decent head acts as a net for them, as well as augmenting its aroma.

5. Leave a Little
… in the vessel. You might have noticed that Peroni’s glasses hold a lesser volume than the bottle. This is so imbibers can keep their beer cool by topping it up with the colder product from the bottle.

Gastronomy

These are the Auckland eateries staying open over the summer holidays, plus we’ve rounded up all of the holiday hospo hours you need to know
Escaping the city for the holidays? We round up the best eateries up and down the country
Denizen’s definitive guide to the best fish and chips in Auckland — and the scenic spots to enjoy them
Franz Sturtzkopf, 'The Hermit', circa 1876 (install detail), Auckland Art Gallery Toi o Tāmaki, gift of Isadore Alexander, 1891.
Julia Morison, 'Monochromes in Liqueurfaction', (installation) 2011. Courtesy of the artist.
Tacita Dean, 'JG', (still) 2013. Courtesy of Frith Street Gallery, London and Marian Goodman Gallery, New York and Paris.

Renowned curator Juliana Engberg brings together an enviable ensemble of artists to create this must-see exhibition

After a year when many of us felt much of what we thought was certain sliding away, a superb exhibition at Auckland Art Gallery Toi o Tāmaki reminds us that we’re not alone. Featuring a mixture of works by leading contemporary and historical artists, All That Was Solid Melts was conceptualised during 2020 as a much-needed balm of solace and cultural beauty amidst the collective tumult.

It was led by curator Juliana Engberg, an award-winning and internationally acclaimed art expert with a reputation for overseeing groundbreaking, engaging events and exhibitions. As Auckland Art Gallery’s Senior Curator Global Contemporary, her work is valued for its authentic approach and her holistic understanding of site, context and history coming into play with not only art, but events that captivate the public.

From left: Curator Juliana Engberg; ‘All That Was Solid Melts’, (installation view), Auckland Art Gallery Toi o Tāmaki, 2021

“Throughout history, there have been many times of difficulty and, as a collective, we find ways to get through them — albeit not without deep loss and grief,” says Engbeg. “Art, in particular, can be a way to help regenerate. Within disaster also sits the future, and we wanted to reflect that in All That Was Solid Melts.”

Explaining that the exhibition is simultaneously historical, modern and contemporary, she says: “The selection of work segues between styles, eras and epochs and indicates a wide expanse of time that makes it feel lush and sensuous.”

Leading contemporary artists included are Douglas Gordon, whose photographic work ‘Private Passions’ begins the exhibition; British visual artist Tacita Dean, with her inventive film ‘JG’ showing on loop; Katie Paterson’s ‘Fossil Necklace’, comprising 170 spherical beads carved from fossilised material strung on a single strand; Pierre Huyghe and his surreal, unsettling and thought-provoking film ‘(Untitled) Human Mask’ — and many more.

Sophie Anderson, After the Earthquake, 1884, (installation detail), Auckland Art Gallery Toi o Tāmaki, gift of Viscount Leverhulme, 1924

These are interspersed with historical works such as Sophie Anderson’s 1884 oil painting ‘After the Earthquake’, Juan de Juanes’ ‘Saint Sebastian’ from the 16th century, and Giovanni Battista Piranesi’s 18th century engravings, ‘Visions of Architectural Downfall’.

Viewed as an assemblage, these artworks take the viewer on a visual journey, demonstrating how art can help us make sense of things in times of strife and face the future with renewed resilience.

All That Was Solid Melts is currently closed, but will reopen once restrictions are lifted, showing until Sunday the 10th of October 2021.

Culture

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With so many exceptional events happening in the city this summer, we round up where to eat, drink, play and stay
From open-air opera to music festivals and more, our Summer Culture Guide has everything to book this season

This charming home delivers a masterclass in mixing classic details with novel ideas

When renowned French architects and designers Emil Humbert and Christophe Poyet were asked to reimagine a duplex in Paris’ Le Marais neighbourhood, they started by honouring its history. After all, the building itself dated back to the 17th Century, and its classic details made for rich foundations on which the dynamic duo could build contemporary spaces with their signature flair.

The first order of business was to reimagine the 250-square-metre floor plan to make it fit for the needs of a young family, which Humbert and Poyet did by adhering to a more traditional layout — positioning the living, kitchen and library spaces on the first floor, while the master suite, child’s bedroom and bathrooms were on the floor above. This allowed the designers to immediately add depth and dimension to the home, where one can just as easily imagine the rousing dinner parties that would enliven the apartment’s formal dining room as they can visualise the moments of quiet family connection that might take place in the kitchen every morning. 

Nods to the building’s origins can be seen throughout the apartment in discrete mouldings, an imposing fireplace, newly-laid parquet floors, impressive high ceilings and double doors in timber with brass accents. From the entrance foyer, punctured by a vintage, mid-century pendant light, to a staircase rendered in black and white speckled terrazzo, the apartment invites those within it to lose themselves in its carefully-layered, textural design, where Humbert and Poyet have left no stone unturned, no detail unconsidered. 

This attention to detail extends to such a degree in fact, that most of the furniture and fittings in the apartment have been designed by the duo themselves, including the superbly unique brass dining table, pendant lights throughout the home, a sculptural floor lamp, a pair of white, wool and linen bouclé armchairs and a show-stopping ‘Grand Theodore’ sofa, rendered in sumptuous blue velvet and fashioned to curve around the cosy living room.

Drawing inspiration from the Modernist, Art Deco and Mephis design movements, Humbert and Poyet played with scale and proportion confidently, using geometric shapes, unusual finishes and unapologetic colours to inject a sense of character into every space and give the apartment a distinct aesthetic language. 

Elsewhere, chairs by Le Corbusier, ceramics by Georges Jouve and Olivier Gagnère and artwork by the likes of Keith Haring, Bertrand Lavier and Robert Mapplethorp turn each room into a memorable tableau, while the mix of materials used throughout works to keep everything connected — marble (to bring richness), timber (to add warmth), terrazzo (as a modern twist) and brass (for the way it enhances the materials around it). 

Cleverly utilising a neutral base palette of black, white and grey allowed the designers to start with a blank canvas, where spaces like the kitchen were made to feel as bright and fresh as they were warm and inviting, thanks to the careful deployment of colour, natural stone and pops of brass. Similarly, the master suite with a Flexform bed flanked by two Humbert and Poyet-designed side tables and backed by an Aaron Young triptych, has been designed to feel calm and tranquil, despite also being richly layered and detailed. 

There is much to be said about this apartment, mainly because each room is conversation-starting in its own right, but at its core, Humbert and Poyet have created a residence that balances coolness with character and that weaves exquisite design into functional, user-friendly spaces. An ode to the power of confident design, this Parisian apartment is making us reconsider our own assumptions about what can work in a space, and is inspiring us to make bolder choices.

Interior Design — Humbert & Poyet
Photography — Francis Amiand

Clockwise from left: Gallotti & Radice Bolle Orizzontale pendant from ECC; Mechanic artwork by Novocuadro of Spain from Sarsfield Brooke; Dane Accent vase from Coco Republic; Strips Sofa by Cini Boeri for Arflex from Studio Italia; Gallotti & Radice Nori coffee table from ECC; Samuel Health Landmark Pure Basin Mixer in Urban Brass from Robertson.

Design

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Gucci Tennis 1977 Sneakers.

Step out in bold style with the coolest logo-loving luxury sneakers to buy now

Lending a touch of luxury to the everyday, these sophisticated sneakers are reminding us not to shy away from wearing our favourite brands boldly. From recognisable monograms to new shapes and silhouettes, it’s time to put your most confident foot forward and step into winter with aplomb.

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Gucci Tennis 1977 Sneakers

Gucci Tennis 1977 Sneakers

Gucci Tennis 1977 Sneakers

Gucci Tennis 1977 Sneakers

Available from Gucci

Givenchy Sneakers

Givenchy Sneakers

Givenchy Sneakers

Givenchy Sneakers

Available from Farfetch

Fendi Flatform Sneakers

Fendi Flatform Sneakers

Fendi Flatform Sneakers

Fendi Flatform Sneakers

Available from Farfetch

Dior-ID Sneaker

Dior-ID Sneaker

Dior-ID Sneaker

Dior-ID Sneaker

Available from Dior

Chloé Lauren Sneaker

Chloé Lauren Sneaker

Chloé Lauren Sneaker

Chloé Lauren Sneaker

Available from Workshop

Valentino Garavani Trainers

Valentino Garavani Trainers

Valentino Garavani Trainers

Valentino Garavani Trainers

From Matches Fashion

Louis Vutton Time Out Sneaker

Louis Vutton Time Out Sneaker

Louis Vutton Time Out Sneaker

Louis Vutton Time Out Sneaker

Available from Louis Vuitton

Saint Laurent Court Classic Sneakers

Saint Laurent Court Classic Sneakers

Saint Laurent Court Classic Sneakers

Saint Laurent Court Classic Sneakers

Available from Saint Laurent

Burberry Vintage Check Sneakers

Burberry Vintage Check Sneakers

Burberry Vintage Check Sneakers

Burberry Vintage Check Sneakers

Available from Farfetch

Coveted

Stay cool as the weather heats up with these sleek new sunglasses worthy of a place in your collection
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Simon Devitt.

My Life in Illustration: Photographer Simon Devitt puts pen to paper

A man of more talents than meet the eye, the renowned architectural photographer is also a published author, educator and, we’ve noticed, an adroit meme curator. Here, he puts aside the camera and picks up the pen to give us an insight into his personality.

What do you look like?

What is your favourite thing to photograph?

What makes you smile?

What scares you?

What is something you have never done but would like to do?

Describe yourself in a meme?

What is your secret talent?

What animal do you relate to?

What is your worst habit?

Who or what would you love to photograph?

What is your secret vice?

As a child, what did you want to be when you grew up?

Culture

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With so many exceptional events happening in the city this summer, we round up where to eat, drink, play and stay
From open-air opera to music festivals and more, our Summer Culture Guide has everything to book this season
Oji Sushi has opened its third outpost in Britomart.

Oji Sushi opens in Britomart, and it’s promising to make your lunch hour more delicious than ever

Rolling into Britomart and bringing its signature, deliciously fresh offering, Oji Sushi has just opened a new store and it’s set to be an instant hit with the lunchtime crowd. Having set up shop in the space formerly occupied by Fukuko bar, the team are delighted to be bringing Oji’s high-quality sushi, salads and bowls to even more people with the third iteration of the store (the other two are located in Commercial Bay). 

Once again, it was Izzard Design that took care of an interior refresh, with branding and design studio Seachange creating the visuals; the studio even won gold at the 2020 Best Awards for Oji’s brand identity. Particularly striking details are the front door, with an eye-catching orange, spherical tint on the glass, and the tonal tiling. While Oji Britomart is ideal for ‘grab and go’, it also has seating to enjoy a meal onsite.

From left: The store’s design was undertaken by Izzard Design and Seachange; Chicken katsu donburi.

While there’s no shortage of sushi stores in Auckland, where Oji sets itself apart is its emphasis on locality, sustainability, less waste and more taste — and its Britomart store is no different. “We keep it simple,” says Savor Group founder Lucien Law. “We just make everything we do, everyone we work with and every ingredient we use the best possible.” 

From sustainable South Island salmon from Glory Bay to hand caught tuna, free-range chicken and locally-grown greens, Oji’s offering is a far cry from stodgy sushi that hides a smidgen of filling in a rice-overwhelmed roll.

The sushi is hand-rolled fresh, daily, onsite and can be made fresh to order. Exclusive to Oji Britomart is a delicious selection of rice paper rolls, available filled with tofu satay, poached shrimp, roast Peking duck or char siu pork, with various dipping sauces that include hoisin, peanut and sesame; herb lime and soy, and vegan almond butter. Another Britomart store special is the ‘Ebisu Premium Roll’, a collaboration with sister venue Ebisu just next door.

From left: A collaboration with sister restaurant Ebisu has created the premium roll; There is a small selection of seating available to enjoy a meal onsite.

For those who prefer a bowl-based meal to eat in or takeaway, there is a selection of hot ramen and donburi, as well as colourful salads that come packed with vegetables and protein. There will be regular meal deals throughout the week, and $1 cups of miso with every order.

Drinks-wise, you simply must try the store’s premium in-house juice brand Oji Jusu, made in Kumeu from cold-pressed, organic fruit. Or, if a crisp cold beer is more your vibe, Oji is licenced with boutique Japanese beer on tap.

So, should you be struck with a sushi craving, we suggest you make your way to Oji’s sleek new Britomart outpost, for a goodness-packed bite on the go.

Is there a new opening you believe should be on our radar? Let us know at [email protected]

Opening hours:
Tuesday to Sunday: 10AM — 4PM
Closed on Monday.

Oji Sushi

43 Tyler Street,
Britomart

www.ojisushi.co.nz

Gastronomy

These are the Auckland eateries staying open over the summer holidays, plus we’ve rounded up all of the holiday hospo hours you need to know
Escaping the city for the holidays? We round up the best eateries up and down the country
Denizen’s definitive guide to the best fish and chips in Auckland — and the scenic spots to enjoy them