With Maison Kitsuné landing at Superette, we’re taking style cues from the Paris-meets-Tokyo brand

You might be aware of Maison Kitsuné. You might even own one of its recognisable sweaters or tees. But what did you really know about the intriguing label started by Gildas Loaëc and Masaya Kuroki? Considering that Maison Kitsuné recently appointed a new Creative Director, Yuni Ahn (previously Design Director at Céline), an appointment taking its collections to a whole new level, as well as the fact that the brand is about to arrive at Superette International, we thought we’d delve a little deeper into its intriguing DNA.

Maison Kitsuné was a fashion concept born from the brand’s in-house record label, Kitsuné Musique, which has built a reputation for seeking out and showcasing new and untapped talent. A series of coffee shops — Café Kitsuné — also falls under the Maison Kitsuné umbrella, a far-reaching, uniquely creative umbrella that represents the kind of lifestyle we all want to lead. One where style is simple and multi-tasking a breeze.

The brand embodies the cultures of its owners. On one hand, the reputation Parisians have for being creative, effortlessly chic and handling the daily trepidations of life with enviable grace is clearly where Maison Kitsuné’s unfussy elegance, tricolour motif and air of laid-back ‘cool’ come from. On the other, its carefully chosen fabrics, meticulous attention to detail and penchant to temper fashion with practicality seems to draw from its Japanese influences.

Maison Kitsuné is the ultimate brand for elevating the everyday. In the 16 years since it started, it has garnered a loyal following all over the world for the unique way it puts contemporary twists on the classics and manages to balance daring, playful details with timeless finesse. It has also made a name for itself via a series of lauded collaborations with brands that include New Era, Oliver Peoples, Ader Error and even the NBA.

All of that said, we were very excited to learn that Maison Kitsuné would be joining the line-up at one of our favourite, multi-brand stores — Superette International. Its FW19 collection harks back to Kitsuné’s musical roots in the way that it speaks to the 90s (albeit in its own, distinctly refined way). With technical fabrics and sophisticated silhouettes offering pieces that we want to wear every day, we’ll be reaching for this label when we’re after something easy, classic and timeless — especially when we’re short on time.

Reminding us to embrace the laissez-faire elegance of the French and the precise practicality of the Japanese, Maison Kitsuné is a welcome addition to our wardrobes.

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Leva chair by Mattiazzi from Simon James Design

Act Natural: These pared-back pieces are perfect for the modern, minimalist home

Minimalism is an idea often bandied about in the world of design. Spoken of as a sure-fire way to achieve a chic interior, pieces made with barely any fuss and even fewer frills have grown in popularity in recent years.

But the movement has evolved from its monochromatic origins to become more about carefully-curated, natural materials and clean finishes with a heavy focus on timber and rattan. The natural look, when done right, offers a masterclass in elegance and is the ultimate way to give your home a refined base onto which you can put your own, distinct stamp.

From the Offset table by Resident to Mattiazzi’s Leva chair, Simon James has a range of furniture to ensure any space is beautifully dressed. In a bid to help you keep your home looking minimalist in a sophisticated and altogether natural way, these are some of the best pieces to start with.

Bit Table by Massproductions from Simon James
Lap Low shelving two bay by Case from Simon James
Leva chair by Mattiazzi from Simon James
Offset coffee table by Resident from Simon James
Underline table by Simon James from Simon James

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It’s the latest wellbeing craze to hit NZ, our Editor shares why she’s a cryotherapy convert

Let me start by saying my interest in the wellbeing fad du jour borders on the obsessive. Perhaps it’s the internal ticking clock getting louder, but in recent years my life’s purpose has taken a dramatic 180 from securing a coveted table at the restaurant of the minute, to ensuring that I am well versed in the delicate and often dubious art of self-preservation. If there is any chance whatsoever that I can find the snake oil to eternal youth, I’m there. So it was with great delight that I learned of Auckland’s very first cryotherapy clinic, Cryo Health Solutions.

The use of cold in medicine has a long history, from freezing warts and killing cancer cells, to slowing metabolic processes during trauma surgery. First developed in Japan, it spread through Europe in the 80s and has gone on to treat many conditions including rheumatoid arthritis, multiple sclerosis, psoriasis, sleep disorders and depression. While more geared towards general health, arthritis pain and sports recovery, it’s more recently been heralded for its holistic benefits, such as combating jet lag, aiding in sleep regularity and boosting energy.

Proponents say whole-body cryotherapy activates the body’s “fight or flight” mechanisms, driving extra energy to muscles and narrowing blood vessels so that fewer inflammation-causing white blood cells reach injuries. And, unlike other forms of body cooling (such as the ice baths mentioned on the following page) cryotherapy is void of moisture so it’s much more tolerable.

Eager to see what all the fuss was about, I committed to a six-week program at Cryo Health Solutions. Helmed by New York-born physical therapist Jill Somerville, the clinic houses New Zealand’s first dedicated cryotherapy chamber that has quickly become popular among athletes (The Warriors are regulars) and the health-conscious alike.

To the uninitiated, the first experience in a cryo chamber can feel a little daunting. Stripping down to almost naked, (barring underwear, socks and mittens — you don’t want to get frostbite), can feel a little intimidating in itself, but once you step inside the chamber and the door is closed, the whooshing sounds of liquid nitrogen filling the chamber and reducing the temperature to -145 degrees Celsius is more startling.

To ease any discontentment, Jill provides an ongoing commentary of encouragement along with a run down of what’s happening to your body to keep you focused. According to Jill, “when the extreme cold touches your skin, the thermoreceptors that reside there send a message to your brain saying ‘we have to survive here’. What happens then, is that all the small blood vessels in your arms and your legs start to constrict, and that blood is going to your core to protect your organs. But while it’s there it’s being pumped with oxygen and enzymes. Once your three-minute session is complete your body wants to regulate itself as quickly as possible, so your vessels dilate to about four or five times their size, and all that oxygen-rich blood then gets pumped back through your system.”

The result, after the very brief three-minute session, is an immediate sense of euphoria in some and energy boosts in others. I tend to alternate between both, depending on how I’m feeling. Jill says that people who hold a lot of stress seem to get a calming and soothing effect as a result, while those who are tired might experience a boost of energy.

“Anytime someone is feeling a bit rundown, it’s also the perfect immune booster. So while it might not feel like the best thing to do with a cold coming on, it’s the perfect way to build up your immunity and help to shorten the length of the symptoms.”

So with one relatively painless session down, how do I feel? Slightly euphoric for sure, but is that enough to justify what I just put myself through? Jill believes that the best results come with regularly subjecting yourself to these extreme temperatures as your body learns how to become more efficient in how it can tolerate things. “We recommend you undergo your first three to five sessions — each three-minutes long — in quick succession. We suggest a few days apart because your body is creating an internal pump which becomes more efficient if you do them close together. Then, when your body is better at it, you can lengthen the time in between.”

And so it is that I begin a regular course of two to three sessions per week. Having just passed the six-week mark, what can I conclude from my own personal experience?

1. I’m sleeping better than ever
I am a notoriously terrible sleeper, the combination of work stress and small children waking me during the night has had an ongoing impact on my ability to get a good night’s sleep for longer than I can remember. After six weeks of regular cryo, I can hands down say that I am sleeping better, and most importantly, falling back to sleep after being woken in the night (cryo can’t stop your from kids waking you!). For me, this is a game-changer.

2. I have more energy, am less stressed, and have better mental clarity
To test the stress reduction capabilities of a cryotherapy session, I booked in on the day of this year’s Denizen Heroes Gala. The results of this not only shocked me but also some of my colleagues. My typically highly-strung persona was absent, to the point that people were worried about my wellbeing because I really was so calm.

3. I’ve lost weight
Three minutes of cryotherapy increases your metabolic rate, burning anywhere between 500 and 800 calories in the 24 to 32 hours after a session. And while Jill is quick to note that cryo is not designed as a weight-loss tool in its own right, I can definitely attest to the fact that, combined with my regular daily exercise regime, over the course of six weeks I have lost roughly 4 kgs. Bonus!

4. I haven’t been taken down by a cold this season
With four and six-year-old children who are nothing short of germ factories, this is a parenting milestone I have never previously achieved during winter.

So, with my six week trial period drawing to a close, will I return to the icy -144 degrees Celcius I’ve come to secretly enjoy? You betcha! I’m now a fully-fledged disciple of chilling out.

Fancy becoming a convert yourself? We’re giving one lucky Denizen the chance to win five full-body cryotherapy sessions and a consultancy package with Cryo Health Solutions, valued at over $400. To enter this amazing giveaway, click here.

*This competition has now closed. Congratulations Dominique Wisniewski*

Wellbeing

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Charcuterie from Cazador

Some of Auckland’s best chefs tell us their favourite dishes around town

At Denizen, we often share our favourite places to eat. So we decided to switch things up a bit by asking some of Auckland’s top chefs about their favourite dishes in town — and we guarantee the answers are not what you’d expect. Seeing a chef out of the kitchen, eating at an establishment other than their own is like seeing a teacher on the weekend. It’s indescribably strange. But of course, these are the people who know food better than most — and there isn’t anyone we’d rather take advice from on where to go to find some tasty bites.

Sid Sahrawat (Executive Chef and Co-Owner of Sidart, Sid at The French Cafe and Cassia)
Ask any foodie and they will know exactly who you’re talking about when you mention the name, Sid Sahrawat. All three of his establishments (Cassia, Sidart and Sid at The French Cafe) are regarded as some of Auckland’s best. With such a highly-acclaimed reputation, we were intrigued to hear Sahrawat’s dish of choice. His answer might come as a surprise to some people. “The black chilli prawns from Kingsland’s iconic Canton Cafe is a dish that never fails,” the chef and restauranteur tells me, “I’ve been going there 20 years and it’s as good as the first time.”

Tom Hishon (Executive Chef and Co-Owner of Orphans Kitchen and Co-Founder of Daily Bread)
He might be relatively young, but what Tom Hishon lacks in years, he makes up for in his culinary skills and talent. Judging from his unique creations at Orphans Kitchen, the man knows flavour and he certainly knows food. For Hishon, the dish he describes as, “pretty bloody good,” is The Yodi bagel from Best Ugly Bagels. Combining salted beef, grilled cheese, sweet mustard and a pickle on a toasted chewy bagel The Yodi is, while an unexpected choice, an undeniably delicious one. When Hishon’s not at the bagelry, he’s at Cazador, tucking into the Fiorentina tripe dish which comprises braised pig tripe that is “tender and unctuous” in a rich tomato-based sauce and topped with crispy pork skin and Parmigiano Reggiano.

The Yodi from Best Ugly Bagels

Kyle Street (Executive Chef and Co-Owner of Culprit and Lowbrow)
Following his days as executive chef of Depot and The Fed, Kyle Street has moved on to strengthen his reputation even further by dominating the Auckland food scene with the eateries, Culprit and Lowbrow, he co-owns with fellow chef, Jordan MacDonald. Over the years, Street would have no doubt tasted some of the most delicious food in Auckland, which makes his statement that Cazador’s charcuterie degustation was “hands down, the best eating experience in the city,” lofty praise. Despite the actual degustation no longer being available at Cazador, the dishes from it are still available to order on the regular menu.

Dariush Lolaiy (Executive Chef and Co-owner of Cazador)
With two of Auckland’s most reputable chefs naming Cazador as one of their favourite places in town, it only seemed appropriate to ask the executive chef of Cazador, Dariush Lolaiy what his Auckland dish was. His answer? Nanam’s wagyu sausage longganisa. Nanam specialises in Filipino food, an underrated cuisine that’s packed full of flavour and its longganisa is amazing. Lolaiy explains the sausage as a “melt-in-your-mouth tender morsel, with a super punchy lemongrass hit,” and emphasises the level of quality service that can be found at the Takapuna restaurant.

Jordan Rondel (Head Baker, Founder and Owner of The Caker)
Any occasion becomes all the more special if a cake from The Caker is involved. It has been nine years since Jordan Rondel started a little local cake shop which has now flourished into a business that is starting to be recognised by big names all around the world, including New Zealand singer Lorde and even the likes of Pamela Anderson (thanks to the inroads Rondel is making into Los Angeles). Although Rondel’s professional specialty is in the sweet department, her favourite dish is certainly not. “The dish that never fails me in Auckland is the dahi puri from Satya” Rondel tells me, describing them as “delectable little shells topped with soft potato, tamarind, yoghurt, spices and coriander — crunchy yet soft, sweet yet savoury, rich but fresh.”

Dahi puri from Satya

Simon Gault (Executive Chef and Owner of Giraffe)
Former Judge of Masterchef NZ, Simon Gault has an impressive background with his previous role as Nourish Group’s Executive Chef and currently conducting the kitchen of his restaurant in Viaduct Harbour, Giraffe. When Gault isn’t manning his own kitchen, he’s out in Auckland, expanding his horizons and it’s the coffee pork chop from Penang Cafe & Restaurant in Otahuhu that he raves on about the most. He says, “the space isn’t fancy but the coffee pork is amazing. There’s a lovely, deep coffee flavour and you need to get it with a side of flaky roti and curry sauce.” Gault says he’s tried to cook it himself many times but is yet to create the same flavour. He advises everyone to head to Otahuhu to taste the dish and “say Simon sent you!”

Josh Emett (Executive Chef of Ostro and Rata and Co-Founder of Madam Woo and Hawker & Roll)
In terms of social media, this year was undoubtedly the year of Josh Emett. The chef and restauranteur found a huge fan base on Instagram thanks to his recipe videos and posts (he’s definitely one of our favourite people to follow). But no matter how many delicious treats he whips up in his own kitchen, or how many mouth-watering menus he creates at restaurants like Ostro and Rata, he’s a gourmand at heart and knows how to appreciate the food made by others, telling us that his favourite dish in Auckland is the veal schnitzel from The Engine Room. This dish has been on the lauded restaurant’s menu since the day it opened, and for Emett, it’s a go-to. He tells me he always has the ‘Holstein’ which sees a fried egg and salty anchovies added on top of the schnitzel, telling me, “it’s totally next level.”

Al Brown (Founder and Owner of Depot, The Federal Delicatessen and Best Ugly Bagels)
He’s the man behind some of the most recognised and acclaimed eateries in Auckland and has created some iconic dishes such as the fish sliders and The Yodi bagel, which was even mentioned above by Hishon. It only seemed appropriate to ask Al Brown what his favourites were and he gave an answer of two top picks that varied from “clean,” to “a little dirty.” The Engine Room’s twice-baked goats cheese soufflé takes the cake for one of Brown’s go-to dishes and that comes to no surprise. Having tasted it for ourselves (too many times to count,) we can confidently confirm that it’s absolutely divine. On the ‘dirtier’ side, it’s the K’Road Japanese restaurant, Ken Yakitori’s squid tentacles, reflective of his strong love for seafood.

Min Baek (Executive Chef and Owner of Han)
Following the opening of his restaurant in Parnell, Han’s owner and chef Min Baek shook up the Auckland dining scene with his modern take on Korean cuisine. His team is small, which, while assuring he has as much control over quality as possible also leads to Baek having to spend long hours in his kitchen. When he does have some time on his hands, he tells me that he makes his way to Lillius, where the chefs turn seasonal produce into magic. “I still remember this asparagus dish with kawakawa,” says Baek, “and it was life-changing to me.”

Asparagus from Lillius

Nic Watt (Executive Chef of MASU and Co-Owner of INCA)
Different to the Japanese cuisine that he is renowned for, at his restaurant MASU, Nic Watt’s favourite dish at the moment is a modern Indian delicacy — the sourdough samosa. These morsels can be found at Royal G, the Eastridge eatery that prides itself on its new-age approach to traditional Indian cuisine (the storefront says, “not your mother’s Indian”). The samosas are filled with fenugreek goat shoulder and served with a side of pale ale ketchup to add a tangy kick.

G.O.A.T samosas from Royal-G

Gavin Doyle (Executive Chef of Soul Bar & Bistro)
The mac and cheese from Soul Bar & Bistro is definitely a favourite among the team at Denizen. The rich, creamy, cheesy delight is a testament to the refined taste of establishment’s executive chef, Gavin Doyle. And considering that he has such a strong passion for food, Doyle loves to dine out which, he tells me, made answering my question particularly difficult. After some thinking, he chose the baloney sandwich from Hare and the Turtle as his favourite dish right now and having tasted it for ourselves, we can agree that it’s a delectable bite. Mortadella, provolone, pickled onions, dijon and mayo are pressed between fluffy, toasted buns that have been slathered with butter to form a delicious morsel that’s impossible to fault.

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Claire Cowan with choreographer Loughlan Prior (Photo credit: Garth Badger)

We chat with composer Claire Cowan ahead of her landmark production with the RNZB

Claire Cowan may not yet be a household name, but given the nature of her upcoming performance, we suspect it won’t be too long before she is. This November, the talented composer will be teaming up with the Royal New Zealand Ballet to deliver a rousing performance — marking the first time in history that a female composer in New Zealand has written a full-length ballet for the esteemed company. The product of the landmark partnership will be a gripping interpretation of the classic fairytale, Hansel and Gretel.

Ahead of her groundbreaking — and history-making — performance, we sat down with Cowan to discover more about the composer and her upcoming show.

What piece are you most proud of composing?
Hansel and Gretel! It’s the longest orchestral work I’ve ever written, by far. It’s also been the most fun. Writing a ballet is like writing a film score while you invent the film inside your head. Sometimes I’ll hand a completed scene demo to Loughlan, the choreographer, and he’ll be able to hear what’s ‘happening’ in the scene at very specific moments, just from listening to my score. It’s like some weird kind of creative telepathy. It’s very rewarding.

What is your favourite piece to perform?
Subtle Dances is a piano trio I wrote for the NZTrio. Movement One is really fun to play. It involves knocking, flicking and pounding the cello percussively to make lots of interlocking rhythms with the other players. My hands get a bit raw by the end!

What instruments do you play?
Cello, keys, banjo, uke, guitars — and the accordion a bit!

If you could perform with anybody, who would it be?
I love playing with the Blackbird Ensemble, my awesome band of rogue musicians from all sorts of backgrounds. I seriously wouldn’t want to perform with any of my musical icons, I’d be too nervous!

Who do you look up to musically?
Björk is a big one. Sufjan Stevens. Alexandre Desplait. John Williams. John Adams. I’ve recently discovered a composer called Matthew Herbert who floored me with his film score ‘Disobedience’.

What was the first album you ever bought?
I bought a ‘movie themes’ compilation on CD and split the cost with my brother. My first tapes were stolen from my sister’s collection and included a very well worn Deep Forest cassette.

When creating, where do you get your inspiration from?
Often I’m writing to pictures, so I get inspiration from the tone and tempo of the scene. I also get inspired a lot by watching other films, or going to see live performances.|

What has been your biggest achievement so far?
Winning a silver scroll for ‘Hillary’, the TV series score I composed.

Which do you prefer writing for — film, TV or stage performances?
I love the variety that comes with writing for all of those things! I love the sonic possibilities of an orchestra, the thrill of working with real players, and I also love the endless options when writing for film or TV, because you can just play with sounds and not worry about what’s possible to play. Creatively, I love to serve the picture and enhance the emotion and story. It’s almost like the music is giving the acting performance by itself. I love the emotion I can manipulate the audience into feeling. Sometimes, when given completely free rein on the concert stage, I’m paralysed by the freedom and don’t know how to begin. It’s also a ‘higher-brow’ art form which is critiqued far more than soundtracking, which I feel comes with the pressure that sometimes surpasses the thrill of the composing. So, I guess I like anything that is considered a ‘soundtrack’ best!

Throughout your career, what has been the most challenging hurdle you have had to overcome?
I guess big patches where I was unable to find work! I had the know-how, but none of the right connections. I had a music degree which was mostly academically focused and left me clueless about where to find composing work. So that was disheartening. Eventually, I got offered a TV gig, which set the ball rolling with that sort of work, while I set about trying to make friends with the dancers, theatre-makers and filmmakers who were doing interesting things. I felt like I was wasting valuable time, which was hard. But I have learned the greatest piece of self-taught advice from that time, which is to always make your own stuff when you’re out of work! Now I have very little time to make my own music that isn’t attached to a score or concert commission, and I kind of miss that freedom!

Tell us about the upcoming Hansel and Gretel performance, what can we expect?
The production draws stylistic inspiration from early cinema, with a more modern cinema approach to sound. I’ve requested the orchestra is amplified and played through speakers around each theatre, giving a more powerful and immediate sound connection to the audience. It also will cover the sound of dancers landing on a wooden stage! The design of Act One is quite different from Act Two. Act One combines muted tones, poverty, dark forests and rain. While Act 2 is colourful and filled with food! Expect all of the favourite parts of ballet — beautiful duets, ensemble numbers, and magical — but expect more as well. Little surprises are hidden like sweets throughout!

How does it feel to be the first-ever female composer to write a full-length ballet for the Royal New Zealand Ballet?
It’s an honour! But it’s also about time! There are so many great women composers in New Zealand. To be fair, there’s not a lot of commissioned ballets written in this country, the last one was 12 years ago. So chances are few and far between. I’m very lucky, and I hope this won’t be the last time I work with the RNZB!

How has being a woman in the industry affected your career?
I get asked this one a lot lately, and I don’t really know how to answer it. I should hope it hasn’t affected my career negatively, but if it has, then that’s not on me. I think personality, talent, and work ethic are the main reasons people choose to work with you — that, and colleagues recommending you for new jobs.

What is in the future for you, professionally? Are there any other exciting things on the horizon?
Hopefully another ballet at some stage. Loughlan and I have a very strong creative connection, so more projects with him next year. I’m also writing a new TV series score and developing a new show with Blackbird Ensemble next year, with new music technologies.

Hansel and Gretel will be showing at the ASB Theatre from 6th November to 14th December. For more information and tickets, click here.

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Spinach & Hemp Protein Crepes with a Pumpkin & Chickpeas Filling by Chantal Organics

Recipe: This savoury spinach and hemp crepe is the perfect thing to whip up for lunch

A sweet crepe that’s filled with bananas, strawberries and Nutella is delicious in its own right but there’s something about a savoury crepe that tickles our fancy in ways its icing sugar-dusted sister does not.

So when we found this recipe for a thin pancake that was healthy, satiating and perfect for a lunchtime bite, we immediately folded it into our repertoire. Made with hemp protein and spinach, this delicious pancake boasts a vibrant green shade and is the ideal base for almost any filling you want. Here, we showcase a creamy pumpkin filling which is enhanced by a selection of spices and dukkah and finished with a rich coconut cream drizzle.

For the crepes, you will need:
-60g Chantal Organics Buckwheat Flour
-60g white rice flour
-2 tsp Chantal Organics Hemp Protein Powder
-2 tsp nutritional yeast flakes
-1/2 tsp Chantal Organics Sea Salt
-2 handfuls baby spinach leaves, washed
-3/4 cups milk of choice
-4 eggs
-Chantal Organics Coconut Oil for cooking

For the filling, you will need:
-400g can Chantal Organics Chickpeas
-1 small pumpkin or squash
-1 cup coconut yoghurt
-1 lemon, juiced
-1 handful parsley
-1 handful Chantal Organics Pumpkin Seeds
-2 tbsp dukkah (optional but recommended)
-1 tsp chilli powder (optional but recommended)
-Salt and pepper to season

Instructions:
1.
In a bowl, add all the ingredients for the crepe and mix or blend together until smooth
2. Let the mixture sit and rest for ten minutes for the flours to absorb the liquid and in the meantime, preheat the oven to 200ºC and start making the filling
3. Cut the pumpkin into quarters, remove the seeds and stringy bits, and place on a baking tray. Lightly brush it with oil, season with salt & pepper and place in the centre of the oven to bake evenly for approximately 30 minutes. The pumpkin is done when you can put a fork through it effortlessly.
4. While the pumpkin is in the oven, rinse your chickpeas and parsley.
5. To cook the crepes, heat a good nonstick pan over medium-high heat with a small teaspoon of coconut oil or any other oil of your choice. If you have a good pan, you’ll hardly need any oil for these crepes.
6. When the pan is hot, pour about two to three tablespoons of the crepe mixture into the centre of the pan and tilt the pan to spread it evenly out to the edges. Continue this process until you use all your batter. Even if you don’t plan on eating the whole stack, these keep very well in the freezer and are perfect for when short on time.
7. Assemble your crepe: Place a crepe on a serving plate and generously scoop chunks of pumpkin over one half before folding. Top with a small handful of chickpeas and pumpkin seeds, as much yoghurt as you please, a drizzle of lemon juice, salt & pepper, dukkah, chilli for extra seasoning, and a few sprigs of parsley for freshness.

Enjoy!

Gastronomy

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End of an era: Don’t miss Mercury Plaza’s last hurrah before the iconic space closes for good

We’ve all likely popped into Mercury Plaza for a bite of sushi, a deliciously-made Thai stir fry, to try our hand at one of the funny arcade games, or to pick up some Pocari Sweat from the New Gum Sarn Supermarket on a dusty Sunday morning.

It’s an undeniable Auckland icon. Its recognisable blue signage, with an orange, arching ‘M’ and neon stars a landmark of the K’Road area. But despite its long run (and the fact that it’s still widely loved), the space is closing its doors later this year.

In honour of its significance, artists Joni Lee and Jia Luo have decided to make the most of the time left, by staging a group exhibition that will transform the two main areas of the Plaza.

Considering Mercury Plaza’s historic ties with the Chinese community (the owners were some of the original Chinese fruit and vegetable shop owners on K’Road), the artists intend to curate a show that both highlights the significance of the space while giving a platform to the work of local New Zealand-Chinese artists. The line-up includes Ant Sang, Rose Liew, Tim Lambourne, Ruth Woodbury, Ruby White, Lindsay Yee and many more (with more to be announced).

Mercury Plaza: Origins + New Beginnings opens this Wednesday, 14th August and will run for one month (until 14th September) before Mercury Plaza closes on 31st October. It will offer the perfect way to say goodbye to a space that has been a significant part of the fabric of Auckland and is set to be a celebratory and creatively-inspiring affair. Its final night will see the exhibition come to a close with a rousing party.

For more information about Mercury Plaza: Origins + New Beginnings, click here.

Culture

With so many exceptional events happening in the city this summer, we round up where to eat, drink, play and stay
The best of the 2025 Sundance Film Festival
Experience an evening of world-class music at Ayrburn’s Opera in the Park
Left: Utrecht armchair by Gerrit Thomas Rietveld from Matisse and Grasshopper floorlamp by Gubi from Cult Design

Classic architecture is given a contemporary edge in this suburban Sydney sanctuary

When a house with a rich history and exquisite heritage detailing is treated to a modern reimagining, it is crucial that its inherent character is honoured. That’s why projects like the Centennial Park House should only be undertaken by the experts, lest the magic of the past be forfeited to gratuitous modern development. Madeleine Blanchfield Architects, recognising the architectural significance of this Queen Anne-style home, drew upon its Victorian heritage to create spaces that united the past with the present. 

Carefully rendered curves were placed in direct contrast to sharp edges, crisp linearity and sombre steel detailing, made all the more impactful when seen against the home’s underlying palette of pure white. Beyond adding contemporary edge, the clean colours were also employed to reflect the natural light that would stream through the historic, decorative windows at the front of the home, the large glass doors at the back and the new skylight installed above the relocated stairwell (seeing it become an intriguing central focal point for the property).

Left: Ming’s Heart Chair by Poltrona Frau from Studio Italia and Tufty Time sofa by Patricia Urquiola for B&B Italia from Matisse

The material choices were hugely important for the team at Madeleine Blanchfield, if they were to guarantee a sense of flow and connectedness through the house. In the master bedroom, for instance, a black, freestanding frame is positioned in the centre of the room, anchoring the rest of the space and lending it the overall effect of a versatile, blank canvas. Recurring design motifs like dark timber, refined natural finishes and monochromatic contrasts, work to keep the various spaces relating to one another, as well as ensuring that the underlying, historic beauty of the residence can shine through. In the furnishings, the idea of contrast is seen again, where linear sofas and armchairs meet circular light fixtures, internal archways, and the beautifully rounded chairs and table in the dining room. 

Left: Alcova bed by Antonio Citterio for Maxalto from Matisse

From grand origins, to falling into disrepair, to now, restored to a version of its former glory, the Centennial Park house is an exquisite example of how, when the history of a home is brought respectfully into the present, the depth and meaning that comes with that imbues its spaces with heart, which is something that architecture alone cannot do.

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Meet Framefox — making the at-home gallery wall easier than ever

If you’ve always wanted a gallery wall at home, but haven’t been ready to dust off the measuring tape or spend hours fretting over configurations (only to realise at the end that you were off by a centimetre) hope is on the horizon. Framefox, the innovative, custom framing company that facilitates photo framing via its easy, online service, has conquered the ever-elusive gallery wall with a simple, logical solution.

Customers can simply visit their website and select the perfect configuration for their wall (there are options to suit any space) before uploading the images they want to hang and selecting their frames. Framefox will, once the customer is happy with the digital rendering, send out the custom-framed photos with a kit that includes a life-size hanging guide made from paper that makes at-home installation a breeze. 

Design

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